670b7b9
|
This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.
|
|
description
gothic
owl
purple
ruin
tower
|
Mervyn Peake |
56bbd33
|
"Do we not each dream of dreams? Do we not dance on the notes of lost
|
|
amnesia
androids
apocalypse
carrack
cityisle
cityspire
count
damnation
death
desolate
dreams
emily-dickinson
empty
fedora
ghosts
gothic
greek-mythology
haunting
haunts
horace-walpole
jazz
life
magic
magick
mannequins
masquerade
music
phillip-k-dick
piano
poems
puddles
rain
reflections
romance
sacrifice
science-fiction
sex
shakespeare
ships
songs
specters
spectre
storms
tempest
waking
water
|
Nathan Reese Maher |
e17fd53
|
"There is a stillness between us, a period of restlessness that ties my stomach
|
|
amnesia
androids
apocalypse
carrack
cityisle
cityspire
count
damnation
death
desolate
dreams
emily-dickinson
empty
fedora
ghosts
gothic
greek-mythology
haunting
haunts
horace-walpole
jazz
life
magic
magick
mannequins
masquerade
music
phillip-k-dick
piano
poems
puddles
rain
reflections
romance
sacrifice
science-fiction
sex
shakespeare
ships
songs
specters
spectre
storms
tempest
waking
water
|
Nathan Reese Maher |
b752ffd
|
His was not the hatred that arises suddenly like a storm and as suddenly abates. It was, once the initial shock of anger and pain was over, a calculated thing that grew in a bloodless way.
|
|
anger
gothic
|
Mervyn Peake |
2cb476e
|
"History doesn't start with a tall building
|
|
amnesia
androids
apocalypse
carrack
cityisle
cityspire
count
damnation
death
desolate
dreams
emily-dickinson
empty
fedora
ghosts
gothic
greek-mythology
haunting
haunts
horace-walpole
jazz
life
magic
magick
mannequins
masquerade
music
phillip-k-dick
piano
poems
puddles
rain
reflections
romance
sacrifice
science-fiction
sex
shakespeare
ships
songs
specters
spectre
storms
tempest
waking
water
|
Nathan Reese Maher |
6e9cbf3
|
"She leaves my side and heads deeper into
|
|
amnesia
androids
apocalypse
carrack
cityisle
cityspire
count
damnation
death
desolate
dreams
emily-dickinson
empty
fedora
ghosts
gothic
greek-mythology
haunting
haunts
horace-walpole
jazz
life
magic
magick
mannequins
masquerade
music
phillip-k-dick
piano
poems
puddles
rain
reflections
romance
sacrifice
science-fiction
sex
shakespeare
ships
songs
specters
spectre
storms
tempest
waking
water
|
Nathan Reese Maher |
3c079eb
|
"Gormenghast. Withdrawn and ruinous it broods in umbra: the immemorial masonry: the towers, the tracts. Is all corroding? No. Through an avenue of spires a zephyr floats; a bird whistles; a freshet beats away from a choked river. Deep in a fist of stone a doll's hand wriggles, warm rebellious on the frozen palm. A shadow shifts its length. A spider stirs...
|
|
classic
gormenghast
gothic
literature
|
Mervyn Peake |
1ef95ff
|
Then the wind came in with Bart and blew the vase of roses from the table. I stood and stared down at the crystal pieces and the petals scattered about. Why was the wind always trying to tell me something? Something I didn't want to hear!
|
|
gothic
petals-on-the-wind
premonition
roses
vc-andrews
wind
|
V.C. Andrews |
4c8d46b
|
"That's a stupid name! Whirly-gig is much better, I think. Who in their right mind would point at this thing and say, 'I'm going to fly in my Model-A1'.
|
|
amnesia
androids
apocalypse
carrack
cityisle
cityspire
count
damnation
death
desolate
dreams
emily-dickinson
empty
fedora
ghosts
gothic
greek-mythology
haunting
haunts
horace-walpole
jazz
life
magic
magick
mannequins
masquerade
music
phillip-k-dick
piano
poems
puddles
rain
reflections
romance
sacrifice
science-fiction
sex
shakespeare
ships
songs
specters
spectre
storms
tempest
waking
water
|
Nathan Reese Maher |
6141374
|
Sometimes I felt the bloated Toad, hideous and pampered with the poisonous vapours of the dungeon, dragging his loathsome length along my bosom: Sometimes the quick cold Lizard rouzed me leaving his slimy track upon my face, and entangling itself in the tresses of my wild and matted hair: Often have I at waking found my fingers ringed with the long worms which bred in the corrupted flesh of my Infant.
|
|
death
gothic
lizards
toads
|
Matthew Gregory Lewis |
f6dc099
|
"He had gone again and, emboldened by his first successful trip, had chosen a different sort of world to enter, that of THE MONK. He had studied the book with great care and finally selected a passage that was purely descriptive. The result was the same. The instant he closed the top of the showcase, he was transported to the world described in the open pages. He found himself standing - and shivering - in a dank corridor that, he knew, was far underground. Feeble candlelight flickered in the distance, off to his left. Water dripped down the gleaming walls and startled rats scurried past his feet. The air was stale and unpleasant. Down the corridor to his left, he could hear singing but could not make out the words. Then suddenly, from his right, he heard a woman's high-pitched scream, its sound caroming off the wet, stone walls of the passageway. He jumped, his skin crawling at the back of his neck. And found himself back in his warm and familiar room. ("I Shall Not Leave England Now")"
|
|
gothic
matthew-gregory-lewis
reading
the-monk
|
Alan Ryan |
42591d1
|
"Inevitably, his vision verged toward the fantastic; he published a scattering of stories - most included in this volume - which appeared to conform to that genre at least to the degree that the fuller part of his vision could be seen as "mysteries." For Woolrich it all was fantastic; the clock in the tower, hand in the glove, out of control vehicle, errant gunshot which destroyed; whether destructive coincidence was masked in the "naturalistic" or the "incredible" was all pretty much the same to him. RENDEZVOUS IN BLACK, THE BRIDE WORE BLACK, NIGHTMARE are all great swollen dreams, turgid constructions of the night, obsession and grotesque outcome; to turn from these to the "fantastic" was not to turn at all. The work, as is usually the case with a major writer was perfectly formed, perfectly consistent, the vision leached into every area and pulled the book together. "Jane Brown's Body" is a suspense story. THE BRIDE WORE BLACK is science fiction. PHANTOM LADY is a gothic. RENDEZVOUS IN BLACK was a bildungsroman. It does not matter."
|
|
cornell-woolrich
fantastic
gothic
horror
noir
noir-fiction
science-fiction
suspense
|
Barry N. Malzberg |
d8513af
|
My father lost me to the Beast at cards
|
|
feminist
gothic
|
Angela Carter |
364d326
|
Writers like Washington Irving, Charles Brockden Brown, and Nathaniel Hawthorne added uniquely American elements to their horror stories, informed by the early settlers' Puritan faith and fears of indigenous peoples: eerie woods, the devil, and witches. Even today, much of American horror fiction reckons to varying degrees with fears that are tied up in the nation's history, fears of supernatural evil, of the racial other, and of the frightful consequences of the violent past coming home to roost.
|
|
colonialism
gothic
horror
puritan
|
Lisa Kröger |
ac10e76
|
There Peter sat in the new sunlight, plaiting the straw for baskets, until he saw the thing he had been taught most to fear advancing silently along the lea of an outcrop of rock.
|
|
fiction
gothic
literature
peter-and-the-wolf
saints-and-strangers
|
Angela Carter |