In beauty of face no maiden ever equaled her. It was the radiance of an opium-dream - an airy and spirit-lifting vision more wildly divine than the fantasies which hovered about the slumbering souls of the daughters of Delos.
"Nosoi?" Percy planted his feet in a fighting stance. "You know, I keep thinking, I have now killed every single thing in Greek mythology. But the list never seems to end." "You haven't killed me yet," I noted. "Don't tempt me."
The wine god sighed. 'Oh Hades if I know. But remember, boy, that a kind act can sometimes be as powerful as a sword. As a mortal, I was never a great fighter or athlete or poet. I only made wine. The people in my village laughed at me. They said I would never amount to anything. Look at me now. Sometimes small things can become very large indeed.' He left me alone to think about that. And as I watched Clarisse and Chris singing a stupid campfire song together, holding hands in the darkness, where they thought nobody could see them, I had to smile.
Childhood is bound like the Gordian knot with my memories of the Black Sea, and I still feel its waters welling up within me today. Sometimes these waters are leaden, as grey as the military ships that sail on their curved expanses, and sometimes they are blue as pigmented cobalt. Then would come dusk, when I would sit and watch the seabirds waver to shore, flitting from open waters to the quiet empty vastlands in darkening spaces behind me, the same birds Ovid once saw during his exile, perhaps; and the same waters the Argonauts crossed searching for the fleece of renewal. And out in the distance, invisible, the towering heights of Caucasus, where once-bright memories of the fire-thief have transmuted into something weird and many-faceted, and beyond these, pitch-black Karabakh in dolorous Armenia.
"You're like a god from a Greek myth, Saiman. You have no empathy. You have no concept of the world beyond your ego. Wanting something gives you an automatic right to obtain it by whatever means necessary with no regard to the damage it may do. I would be careful if I were you. Friends and objects of deities' desires dropped like flies. In the end the gods always ended up miserable and alone." -- Kate Daniels"
Tragedy is born of myth, not morality. Prometheus and Icarus are tragic heroes. Yet none of the myths in which they appear has anything to do with moral dilemmas. Nor have the greatest Greek tragedies. If Euripides is the most tragic of the Greek playwrights, it is not because he deals with moral conflicts but because he understood that reason cannot be the guide of life.
"That's a stupid name! Whirly-gig is much better, I think. Who in their right mind would point at this thing and say, 'I'm going to fly in my Model-A1'.
Classical mythology is a catalogue of indescribable cruelty: [...] It is a world dominated by evil, where even the most beautiful beings carry out atrocities.
It was the perfect set. Theseus gave a great war cry and brought his sword arcing up toward Sheba's throat - but the monster of the labyrinth lives inside us all. She is the dark, devouring hunger that is never sated, the creeping shadow that ever plays the fiend to our seraphim, the secret rage hidden in our hearts; deny her, and we become her slaves; fight her, and we make her invincible. By now, you must know that no monster can ever be killed, not really - [...]
Just as Prometheus delivered stolen fire to man, so Eve, and the serpent, delivered man into self-consciousness, setting him up, were it not for his short lifespan, as rival to God. At the same time, man's self-consciousness removed him from nature into a life of toil, doubt, fear, guilt, shame, blame, enmity, loneliness, and frailty--and the product of this separation, the fruit and flower of this exile, is, of course, culture. 'God,' said the writer Victor Hugo, 'made only water, but man made wine.