"Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water. Octavian made a squeaking sound. "What was that for? I didn't say it! That could've been evidence. Or spoils of war!" Annabeth tried for a dumb-blonde smile, like: Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation. "You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--" All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger. "You dropped this," he said, totally poker-faced."
What has mood to do with it? You fight when the necessity arises--no matter the mood! Mood's a thing for cattle or making love or playing the baliset. It's not for fighting.
"Nosoi?" Percy planted his feet in a fighting stance. "You know, I keep thinking, I have now killed every single thing in Greek mythology. But the list never seems to end." "You haven't killed me yet," I noted. "Don't tempt me."
And Harry remembered his first nightmarish trip into the forest, the first time he had ever encountered the thing that was then Voldemort, and how he had faced him, and how he and Dumbledore had discussed fighting a losing battle not long thereafter. It was important, Dumbledore said, to fight, and fight again, and keep fighting, for only then could evil be kept at bay, though never quite eradicated. . . . And Harry saw very clearly as he sat there under the hot sun how people who cared about him had stood in front of him one by one, his mother, his father, his godfather, and finally Dumbledore, all determined to protect him; but now that was over. He could not let anybody else stand between him and Voldemort; he must abandon forever the illusion he ought to have lost at the age of one, that the shelter of a parent's arms meant that nothing could hurt him. There was no waking from his nightmare, no comforting whisper in the dark that he was safe really, that it was all in his imagination; the last and greatest of his protectors had died, and he was more alone than he had ever been before.
I think it's odd that grown-ups quarrel so easily and so often and about such petty matters. Up to now I always thought bickering was just something children did and that they outgrew it.
There is one fairly good reason for fighting - and that is, if the other man starts it. You see, wars are a great wickedness, perhaps the greatest wickedness of a wicked species. They are so wicked that they must not be allowed. When you can be perfectly certain that the other man started them, then is the time when you might have a sort of duty to stop them.
Fighting is like champagne. It goes to the heads of cowards as quickly as of heroes. Any fool can be brave on a battlefield when it's be brave or else be killed.
...my father, [was] a mid-level phonecompany manager who treated my mother at best like an incompetent employee. At worst? He never beat her, but his pure, inarticulate fury would fill the house for days, weeks, at a time, making the air humid, hard to breathe, my father stalking around with his lower jaw jutting out, giving him the look of a wounded, vengeful boxer, grinding his teeth so loud you could hear it across the room ... I'm sure he told himself: 'I never hit her'. I'm sure because of this technicality he never saw himself as an abuser. But he turned our family life into an endless road trip with bad directions and a rage-clenched driver, a vacation that never got a chance to be fun.
"It's always better to attack than to defend," Coram had told her when they talked about fencing late at night. "Always. Ye don't win with defense--ye only hold the other feller off, or wear him down. Attack and have done with it!" --
Whoever is first in the field and awaits the coming of the enemy, will be fresh for the fight; whoever is second in the field and has to hasten to battle will arrive exhausted.
They had laughed. They had leaned on each other and laughed until the tears had come, while everything else--the cold, and where he'd go in it--was outside, for a while anyway.
Men broke into their homes, killed their families, threatened you--and you won't let them do anything for fear you'll be hurt. That's selfish. How would you like it if I took your bow and said I cared too much about you to let you fight?
I think maybe, when I was very young, I witnessed a chaste cheek kiss between the two when it was impossible to avoid. Christmas, birthdays. Dry lips. On their best married days, their communications were entirely transactional: 'We're out of milk again.' (I'll get some today.) 'I need this ironed properly.' (I'll do that today.) 'How hard is it to buy milk?' (Silence.) 'You forgot to call the plumber.' (Sigh.) 'Goddammit, put on your coat, right now, and go out and get some goddamn milk. Now.' These messages and orders brought to you by my father, a mid-level phonecompany manager who treated my mother at best like an incompetent employee.
All relationships have ups and downs. Romantic fantasy often nurtures the belief that difficulties and down times are an indication of a lack of love rather than part of the process. In actuality, true love thrives of the difficulties. The foundation of such love is the assumption that we want to grow and expand, to become more fully ourselves. There is no change that does not bring with it a feeling of challenge and loss. When we experience true love it may feel as though our lives are in danger; we may feel threatened.
"Sarra looked at her daughter and said reproachfully, "Speaking of war, I never raised you to be always fighting and killing. That's not woman's work." "It's needful, Ma. You taught me a woman has to know how to defend herself." "I never!" gasped Sarra, indignant. "You taught me when you were murdered in your own house," Daine said quietly."
" " she cried out. She would have a fresh bruise there by the time she went to sleep, somewhere out at sea. she told herself, Syrio stepped back. "You are dead now." Arya made a face. "You cheated," she said hotly. "You said left and you went right." "Just so. And now you are a dead girl." "But you " "My words lied. My eyes and my arm shouted out the truth, but you were not seeing." "I was so," Arya said. "I watched you every second!" "Watching is not seeing, dead girl. The water dancer sees. Come, put down the sword, it is time for listening now."
He would have died soon, but more painfully. Anyway, it was Urban Bloodshed Limitation. First rule: limit bloodshed by making sure that none of your own gets spilled.
The afternoon breeze would incite to a weird and flabby activity all that crowded mass of clothing, with its vague suggestions of drowned, mutilated and flattened humanity. Trunks without heads waved at you arms without hands; legs without feet kicked fantastically with collapsible flourishes; and there were long white garments, that taking the wind fairly through their neck openings edged with lace, became for a moment violently distended as by the passage of obese and invisible bodies. On these days you could make out that ship at a great distance by the multi-coloured grotesque riot going on abaft her mizzen-mast.
"Kipster is a perfectly valid word," Wendy argued, about to write down her score on the little notepad that had come with the game. "Okay, so what does it mean?" Mandy wanted to know. Wendy struggled to come up with an answer, and finally just changed the subject with school gossip. Mandy found herself just ignoring it... it always sounded the same, the same events, same rumors, same secrets, same affairs, but never anything of interest to her. "Well Sarah's on drugs again and that's why she did it in Mario's backseat, but now she might be pregnant, oh, and that messed-up Seth kid's been cutting himself again so he was sent away to Halifax last week, and there's a festival in Wolfville but Kathy won't go because Audrey-Rose is going to be there and they hate each other, and...." Mandy had learned two years ago to detach herself from gossip; she'd learned it from Jud's death. Wendy may have been eighteen years old but she could be immature on the best of days."
"I notice you didn't include a blade with your new attire," Royce said. "Not even a little jeweled dagger." "Lords no." Albert looked appalled. "I don't fight." "I thought all nobles learned sword fighting." Royce looked to Hadrian. "I thought so too." "Nobles with competent fathers perhaps. I spent my formative years at my aunt's at Huffington Manor. She held a daily salon, where a dozen noble ladies came to discuss all manner of philosophical topics, like how much they hated their husbands. I've never actually held a sword, but I can tie a mean corset and apply face paint like a gold-coin whore."
"Where the hell is your guard?" She shouts. Damn if she doesn't sound like Haley. "I'm tired." "Do I look like I care? You're getting the hell pounded out of you. If you want to tap out, then tap out, but don't stand there and let him win."
Through all of those different wars, we came to understand each other. The Mason's fellas just wanted to chill in their area and be left alone. The Border Boys basically wanted the same thing. Stinky and Robert just wanted to be able to sell their drugs and make their money. But us, we were on a mission to take over the whole town. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members
When a guy goes out there and kills somebody, he might look at himself as the winner. But in truth he's also a loser, because now he would be lost in the system. If you were listening to the news recently, some people you know well are doing 45, and 64 years for murder. They might have won their fight, but they lost their lives to the system. Franco 'Co' Bethel, former gang leader and right hand man to Scrooge.
Father Hobbe, his cassock skirts hitched up to his waist, was fighting with a quarterstaff, ramming the pole into French faces. 'In the name of the Father,' he shouted, and a Frenchman reeled back with a pulped eye, 'and of the Son,' Father Hobbe snarled as he broke a man's nose, 'and of the Holy Ghost!