|
148db4a
|
Nature is a haunted house--but Art--is a house that tries to be haunted.
|
|
nature
haunted
house
|
Emily Dickinson |
|
3fdc88d
|
"But the plans were on display..." "On display? I eventually had to go down to the cellar to find them." "That's the display department." "With a flashlight." "Ah, well, the lights had probably gone." "So had the stairs." "But look, you found the notice, didn't you?" "Yes," said Arthur, "yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying 'Beware of the Leopard." --
|
|
humour
demolition
department
bypass
bureaucracy
house
|
Douglas Adams |
|
1d9d984
|
"Claire stretched out against the wall and kissed it. "Glad to see you, too," she whispered, and pressed her cheek against the smooth surface. It almost felt like it hugged her back. "Dude, it's a ," Shane said from behind her. "Hug somebody who cares."
|
|
morganville-vampires
shane-collins
glass
house
|
Rachel Caine |
|
d6c6f8a
|
The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.
|
|
rebecca
road
wind
sky
house
sea
blood
|
Daphne DuMaurier |
|
20eeae3
|
"What-what do you want?" Annabeth asked, trying to maintain a tone of confidence. The voice cackled maliciously.
|
|
times
thousand
the
mother-night
of
house
annabeth-chase
percy-jackson
hades
chase
jackson
percy
mother
night
|
Rick Riordan |
|
bc1fb8a
|
It [Ashfair House] was an old fashioned house--the sort of house in fact, as Strange expressed it, which a lady in a novel might like to be persecuted in.
|
|
damsel-in-distress
2004
jonathan-strange
house
stereotype
|
Susanna Clarke |
|
b3d45ba
|
Red Fox The red fox crosses the ice intent on none of my business. It's winter and slim pickings. I stand in the bushy cemetery, pretending to watch birds, but really watching the fox who could care less. She pauses on the sheer glare of the pond. She knows I'm there, sniffs me in the wind at her shoulder. If I had a gun or dog or a raw heart, she'd smell it. She didn't get this smart for nothing. She's a lean vixen: I can see the ribs, the sly trickster's eyes, filled with longing and desperation, the skinny feet, adept at lies. Why encourage the notion of virtuous poverty? It's only an excuse for zero charity. Hunger corrupts, and absolute hunger corrupts absolutely, or almost. Of course there are mothers, squeezing their breasts dry, pawning their bodies, shedding teeth for their children, or that's our fond belief. But remember - Hansel and Gretel were dumped in the forest because their parents were starving. . To survive we'd all turn thief and rascal, or so says the fox, with her coat of an elegant scoundrel, her white knife of a smile, who knows just where she's going: to steal something that doesn't belong to her - some chicken, or one more chance, or other life.
|
|
burned
morning
margaret
red
house
fox
|
Margaret Atwood |
|
a8c7fd6
|
There is some of the same fitness in a man's building his own house that there is in a bird's building its own nest. Who knows but if men constructed their dwellings with their own hands, and provided food for themselves and families simply and honestly enough, the poetic faculty would be universally developed, as birds universally sing when they are so engaged? But alas! we do like cowbirds and cuckoos, which lay their eggs in nests which other birds have built, and cheer no traveller with their chattering and unmusical notes. Shall we forever resign the pleasure of construction to the carpenter?
|
|
carpenter
walden
nest
house
|
Henry David Thoreau |
|
0454474
|
That porch is a happy-looking place, and my father - burdened, stoop-shouldered, cadaverously thin - doesn't seem to belong on it.
|
|
out-of-place
worry
house
worries
|
Margaret Peterson Haddix |
|
c3923c8
|
The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word , or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask , because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as or , depending on camera angle.) The word figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.
|
|
loneliness
historian
the
of
military
morning
house
|
Margaret Atwood |
|
3fcdec1
|
Helen of Troy Does Counter Dancing The world is full of women who'd tell me I should be ashamed of myself if they had the chance. Quit dancing. Get some self-respect and a day job. Right. And minimum wage, and varicose veins, just standing in one place for eight hours behind a glass counter bundled up to the neck, instead of naked as a meat sandwich. Selling gloves, or something. Instead of what I do sell. You have to have talent to peddle a thing so nebulous and without material form. , they'd say. Yes, any way you cut it, but I've a choice of how, and I'll take the money. I do give value. Like preachers, I sell vision, like perfume ads, desire or its facsimile. Like jokes or war, it's all in the timing. I sell men back their worst suspicions: that everything's for sale, and piecemeal. They gaze at me and see a chain-saw murder just before it happens, when thigh, ass, inkblot, crevice, tit, and nipple are still connected. Such hatred leaps in them, my beery worshipers! That, or a bleary hopeless love. Seeing the rows of heads and upturned eyes, imploring but ready to snap at my ankles, I understand floods and earthquakes, and the urge to step on ants. I keep the beat, and dance for them because they can't. The music smells like foxes, crisp as heated metal searing the nostrils or humid as August, hazy and languorous as a looted city the day after, when all the rape's been done already, and the killing, and the survivors wander around looking for garbage to eat, and there's only a bleak exhaustion. Speaking of which, it's the smiling tires me out the most. This, and the pretense that I can't hear them. And I can't, because I'm after all a foreigner to them. The speech here is all warty gutturals, obvious as a slam of ham, but I come from the province of the gods where meaning are lilting and oblique. I don't let on to everyone, but lean close, and I'll whisper: My mothers was raped by a holy swan. You believe that? You can take me out to dinner. That's what we tell all the husbands. There sure are a lot of dangerous birds around. Not that anyone here but you would understand. The rest of them would like to watch me and feel nothing. Reduce me to components as in a clock factory or abattoir. Crush out the mystery. Wall me up alive in my own body. They'd like to see through me, but nothing is more opaque than absolute transparency. Look - my feet don't hit the marble! Like breath or a balloon, I'm rising, I hover six inches in the air in my blazing swan-egg of light. You think I'm not a goddess? Try me. This is a torch song. Touch me and you'll burn.
|
|
counter
does
burned
troy
dancing
of
morning
margaret
house
helen
|
Margaret Atwood |
|
88a659a
|
How does light enter a house? If the windows are open. How does light enter a human? If the door of love is open.
|
|
love
window
house
|
Paulo Coelho |
|
6770189
|
"You're my life, Elle. When we have our children, they'll be included in that circle and I'm not a man to lose everything. I want you as safe as possible." "So you don't think three protection dogs, a room filled with weapons, a panic room and house that eats people isn't just a little overkill?"
|
|
house
weapons
safety
protection
|
Christine Feehan |
|
8e4ecc6
|
"Imagine for a moment that you are the proud owner of a large house which you have spent years of your life painting and decorating and filling with everything you love. It's your home. It's something you've made your own, something for you to be remembered by, something that, perhaps years later, your children and grandchildren can visit and get a view of your life in. It's part of your creativity, your hard work... it's your property. Now suppose you decide to go camping for a couple of weeks. You lock your door and assume that nobody is going to break in... but they do, and when you return home, to your horror you find that not only do these trespassers break in, but they also have quite uniquely imaginative ways of disrespecting, vandalizing and corrupting everything within your property. They light fires on your lawn, your topiary hedges are in heaps of black ashes. There's some blatantly obscene graffiti splattered across your front door, offensive images and rude words splashed on the walls and windows. Your television has been tipped over. Your photographs of family and friends have had the heads cut out of them. There's mold growing in the refrigerator, bottles of booze tipped over on the table, and cigarette smoke embedded into the carpeting. Your beloved houseplants are dead, your furniture has been stripped down and ruined. Basically, the thing you've spent years working for and creating within your lifetime has been tampered with to the point where it is just a grim joke.
|
|
metaphor
books
funny
fanfiction
pervy
copyright
sherlock
vandalism
imagine
house
respect
ghost
geek
grave
|
Rebecca McNutt |
|
7c35c3d
|
"Casy said, "Ol' Tom's house can't be more'n a mile from here. Ain't she over that third rise?" Sure," said Joad. "Less somebody stole it, like Pa stole it." Your pa stole it?" Sure, got it a mile an' a half east of here an' drug it. Was a family livin' there, an' they moved away. Grampa an' Pa an' my brother Noah like to took the whole house, but she wouldn't come. They only got part of her. That's why she looks so funny on one end. They cut her in two an' drug her over with twelve head of horses and two mules. They was goin' back for the other half an' stick her together again, but before they got there Wink Manley come with his boys and stole the other half. Pa an' Grampa was pretty sore, but a little later them an' Wink got drunk together an' laughed their heads off about it. Wink, he says his house is a stud, an' if we'll bring our'n over an' breed 'em we'll maybe get a litter of crap houses. Wink was a great ol' fella when he was drunk. After that him an' Pa an' Grampa was friends. Got drunk together ever' chance they got."
|
|
jokes
house
theft
|
John Steinbeck |
|
1429aa6
|
Listen. Look. Desire is a house. Desire needs closed space. Desire runs out of doors or windows, or slats or pinpricks, it can't fit under the sky, too large. Close the doors. Close the windows. As soon as you laugh from nerves or make a joke or say something just to say something or get all involved with the bushes, then you blow open a window in your house of desire and it can't heat up as well. Cold draft comes in.
|
|
metaphor
house
heat
|
Aimee Bender |
|
9ab74b1
|
Oh, I wish I lived in a caravan!' said Jimmy longingly. 'How lovely it must be to live in a house that has wheels and can go away down the lanes and through the towns, and stand still in fields at night!
|
|
wheels
fields
towns
house
longing
|
Enid Blyton |
|
54e8287
|
Girl Without Hands Walking through the ruins on your way to work that do not look like ruins with the sunlight pouring over the seen world like hail or melted silver, that bright and magnificent, each leaf and stone quickened and specific in it, and you can't hold it, you can't hold any of it. Distance surrounds you, marked out by the ends of your arms when they are stretched to their fullest. You can go no farther than this, you think, walking forward, pushing the distance in front of you like a metal cart on wheels with its barriers and horizontals. Appearance melts away from you, the offices and pyramids on the horizon shimmer and cease. No one can enter that circle you have made, that clean circle of dead space you have made and stay inside, mourning because it is clean. Then there's the girl, in the white dress, meaning purity, or the failure to be any colour. She has no hands, it's true. The scream that happened to the air when they were taken off surrounds her now like an aureole of hot sand, of no sound. Everything has bled out of her. Only a girl like this can know what's happened to you. If she were here she would reach out her arms towards you now, and touch you with her absent hands and you would feel nothing, but you would be touched all the same.
|
|
burned
without
hands
morning
margaret
house
girl
|
Margaret Atwood |
|
0e7780f
|
An old house that had lived its life long ago and so was very quiet and wise and a little mysterious. Also a little austere, but very kind.
|
|
houses
house
|
L.M. Montgomery |
|
cac94a0
|
"Failure to put the relationship on a slower timetable may result in an act that was never intended in the first place. Another important principle is to avoid the circumstances where compromise is likely. A girl who wants to preserve her virginity should not find herself in a house or dorm room alone with someone to whom she is attracted. Nor should she single-date with someone she has reason not to trust. A guy who wants to be moral should stay away from the girl he knows would go to bed with him. Remember the words of Solomon to his son, "Keep to a path far from her, do not go near the door of her house" (Proverbs 5:8). I know this advice sounds very narrow in a day when virginity is mocked and chastity is considered old-fashioned. But I don't apologize for it. The Scriptures are eternal, and God's standards of right and wrong do not change with the whims of culture. He will honor and help those who are trying to follow His commandments. In fact, the apostle Paul said, "He will not let you be tempted beyond what you can bear" (1Corinthians 10:13). Hold that promise and continue to use your head. You'll be glad you did."
|
|
words
wrong
trying
relationship
reason
trust
change
who
act
apostle
are
attracted
away
bear
beyond
can
chastity
commandments
considered
continue
did
door
do
eternal
glad
go
god-s
intended
is
knows
let
likely
mocked
narrow
near
proberbs
remeber
scriptures
single-date
slower
sounds
stay
tempted
those
very
what-you
whims
whom
would
you-ll
your
guy
and
day
you
with
old-fashioned
principle
keep
may
he
her
compromise
bed
first
never
avoid
advice
should
circumstances
place
not
to
preserve
important
use
hold
result
head
help
alone
follow
virginity
house
she
culture
wants
solomon
path
girl
paul
moral
son
be
someone
will
promise
honor
right
failure
him
standards
|
James C. Dobson |
|
5711dcb
|
Royal summoned mourners. They came from the village, from the neighboring hills and, wailing like dogs at midnight, laid siege to the house. Old women beat their heads against the walls, moaning men prostrated themselves: it was the art of sorrow, and those who best mimicked grief were much admired. After the funeral everyone went away, satisfied that they'd done a good job.
|
|
grief
satisfaction
funeral
phonies
house
|
Truman Capote |
|
9591c24
|
All around him the chanting swelled, Harm no one, harm no one. What the hell did that mean? He was going to have to shoot the poor son of a bitch, but maybe that was a far better way to go than what the house of horrors had planned. This was a hell of a way for men to die, even if they deserved it.
|
|
shoot
house
|
Christine Feehan |
|
0214b05
|
The house was clean, scrubbed and immaculate, curtains washed, windows polished, but all as a man does it - the ironed curtains did not hang quite straight and there were streaks on the windows and a square showed on the table when a book was moved.
|
|
men
house
|
John Steinbeck |
|
0f187df
|
The house, and all the objects in it, crackled with static electricity; undertows washed through it, the air was heavy with things that were known but not spoken. Like a hollow log, a drum, a church, it was amplified, so that conversations whispered in it sixty years ago can be half-heard today.
|
|
drum
whispering
heaviness
electricity
house
home
|
Margaret Atwood |
|
bb6b4ba
|
"Wendy's house, unlike many in Cape Breton, had three floors, along with a basement and attic. Aside from Wendy's bedroom, there was a laundry room. The dirty water in the sink would rush from the washer hose, bubbling up, threatening to overflow, but it never did. Next-door was a motel with a neon sign that read in turquoise and pink, "We have the best rates in town!", but the 'E' in 'rates' kept flickering on and off day and night so that every few seconds it would switch to, "We have the best rats in town!"
|
|
funny
bedroom
bubble
inn
laundry-room
motel
quaint
rates
sink
cape-breton
sydney
best
turquoise
neon
canada
odd
weird
rat
hotel
small-town
poor
house
rats
strange
pink
nostalgia
|
Rebecca McNutt |
|
4028e23
|
Home development is about wishful thinking. It's about capturing a dream.
|
|
building
house
home
|
Barbara Delinsky |
|
368539b
|
...Because beauty is typically the result of a few qualities working in concert, it can take more to guarantee the appeal of a bridge or a house than strength alone. (p 205)
|
|
design
house
bridge
|
Alain de Botton |
|
84b65c2
|
Happy we were the, for we had a good house, and good food and good work.
|
|
work
happiness
house
|
Richard Llewellyn |
|
fb668e9
|
All sorts of strange people were around, people who looked more at home than she was, even the homeless ones who spoke no English, more at home maybe because they were younger, and when she went out it seemed to her that she too had migrated, that everyone migrates, even if we stay in the same houses our whole lives, because we can't help it. We are all migrants through time.
|
|
time
people
life
migrants
migration
house
home
|
Mohsin Hamid |
|
e291feb
|
"The car drives through, stops while the man closes and fastens the prickly gate behind it. The bell shuts off; the stillness is deafening by contrast. The car goes on until the outline of a house suddenly uptilts the searching headlight-beams, log-built, sprawling, resembling a hunting-lodge. But there's no friendliness to it. There is something ominous and forbidding about its look, so dark, so forgotten, so secretive-looking. The kind of a house that has a maw to swallow with - a one-way house, that you feel will never disgorge any living thing that enters it. Leprous in the moonlight festering on its roof. And the two round sworls of light played by the heads of the car against its side, intersecting, form a pear-shaped oval that resembles a gleaming skull. ("Jane Brown's Body")"
|
|
fear
house
horror
|
Cornell Woolrich |
|
de3efa9
|
"What are you doing?" Alecto asked in surprise, stepping back. Laughing brightly, she dragged him towards the greenhouse, the shattered glass reflecting rainbows as brilliant as a million Kodak flashcubes, glittering as they were cascaded through the breeze. "See, don't be afraid of the glass, it can't hurt us," Mandy laughed, spectacularly eccentric, her eyes reflecting the fallen glass. "I wasn't afraid of the glass, but this isn't a very secluded place that you just decided to vandalize," Alecto cautioned, smiling despite his words. Before Mandy could reply, she heard loud whispering in the air, behind the trees... it sounded like a group of people, all whispering in unison... "Somebody's out there," she exclaimed nervously. "Yeah, you're right," Alecto replied. Suddenly a sharp new vibrancy seemed to fill his eyes and he smiled coldly, taking the tree branch from Mandy and rapidly smashing in all of Mrs. Matthias' stained glass house windows with it. Blue, green, yellow, red, turquoise, purple and an array of other colors showered through the sky noisily, sounding like wind chimes and crashing waves. "They'll go away," he told her, glancing up at the sky. "...Alecto, do you like me?" Mandy questioned, holding out her arms like a lopsided scarecrow as the glass fell through her dark red hair. "Yeah, sure," he answered. "Will you be my friend, then? A real friend, not just another person who feels sorry for me?" Mandy asked. "...Alright, Mandy Valems," Alecto agreed."
|
|
depression
fun
friends
funny
friendship
love
colored
flashcube
greenhouse
scarecrow
stained-glass
vibrancy
wind-chimes
kodak
cape-breton
nova-scotia
glitter
cut
air
whispering
yellow
waves
best-friends
sorry
green
sharp
vandalism
blue
canada
glass
growing-up
red
shatter
trees
noir
friend
house
smile
children
crashing
noise
nostalgia
|
Rebecca McNutt |
|
69304b3
|
Amity was the cold, steady gaze of a double-barreled shotgun, bearing down. She was the glint of pinprick pupils gleaming through a night-lit window, the rythmic blast of a door left banging in a gale wind. The slither of a flesh-flayed limb beneath a bed skirt, a welcome note etched in blood. Amity's forever was reflected in the glimmering edge of an ax, in the rushing footprints, the twitching tail, the brushing fingertips of a zephyr, a cipher, a wordless, formless shape.
|
|
house
horror
|
Micol Ostow |
|
fd8be9b
|
The house was so quiet, as if everyone had been spirited out of sight. I had a feeling of moving through time itself. I saw myself as a small, scurrying animal rushing into my future. But I was not afraid.
|
|
time
future
unafraid
wolf-by-the-ears
house
quiet
|
Ann Rinaldi |
|
4469757
|
The afternoon had passed to a ghostly gray. She was struck by the immensity of things, so much water and sky and forest, and after a time it occurred to her that she'd lived a life almost entirely indoors. Her memories were indoor memories, fixed by ceilings and plastered white walls. Her whole life had been locked to geometries: suburban rectangles, city squares. First the house she'd grown up in, then dorms and apartments. The open air had been nothing but a medium of transit, a place for rooms to exist.
|
|
nature
life
indoors
lake
growing-up
rooms
sky
house
home
thought
|
Tim O'Brien |