It has always been the prerogative of children and half-wits to point out that the emperor has no clothes. But a half-wit remains a half-wit, and the emperor remains an emperor.
We did not hesitate to call our movement an army. But it was a special army, with no supplies but its sincerity, no uniform but its determination, no arsenal except its faith, no currency but its conscience.
"You know what capitalism produces. According to Marx and Engels." "Its own grave-diggers," he said. "But these are not the grave-diggers. This is the free market itself. These people are a fantasy generated by the market. They don't exist outside the market. There is nowhere they can go to be on the outside. There is no outside." The camera tracked a cop chasing a young man through the crowd, an image that seemed to exist at some drifting distance from the moment. "The market culture is total. It breeds these men and women. They are necessary to the system they despise. They give it energy and definition. They are market-driven. They are traded on the markets of the world. This is why they exist, to invigorate and perpetuate the system."
There was something theatrical about the protest, ingratiating even. . . . There was a shadow of transaction between the demonstrators and the state. The protest was a form of systemic hygiene, purging and lubricating. It attested again, for the ten thousandth time, to the market culture's innovative brilliance, its ability to shape itself to its own flexible ends, absorbing everything around it.
"What does it mean to demonstrate in the streets, what is the significance of that collective activity so symptomatic of the twentieth century? In stupefaction Ulrich watches the demonstrators from the window; as they reach the foot of the palace, their faces turn up, turn furious, the men brandish their walking sticks, but "a few steps farther, at a bend where the demonstration seemed to scatter into the wings, most of them were already dropping their greasepaint: it would be absurd to keep up the menacing looks where there were no more spectators." In the light of that metaphor, the demonstrators are not men in a rage; they are actors performing rage! As soon as the performance is over they are quick to drop their greasepaint! Later, in the 1960s, philosophers would talk about the modern world in which everything had turned into spectacle: demonstrations, wars, and even love; through this "quick and sagacious penetration" (Fielding), Musil had already long ago discerned the "society of spectacle."
New Rule: The sad mime at every protest has to give it a rest. One sign you're a major annoyance: when you haven't said anything and I want to tell you to shut the fuck up.
"Years ago, a member of Congress slipped a laminated quote into my hand that he must have thought I would find meaningful. I paid little attention at first and unfortunately I don't recall just who gave me the quote. I placed it next to my voting card and have carried it ever since. The quote came from Elie Wiesel's book One Generation After. The quote was entitled "Why I Protest." Author Elie Wiesel tells the story of the one righteous man of Sodom, who walked the streets protesting against the injustice of this city. People made fun of him, derided him. Finally, a young person asked: "Why do you continue your protest against evil; can't you see no one is paying attention to you?" He answered, "I'll tell you why I continue. In the beginning, I thought I would change people. Today, I know I cannot. Yet, if I continue my protest, at least I will prevent others from changing me." I'm not that pessimistic that we can't change people's beliefs or that people will not respond to the message of liberty and peace. But we must always be on guard not to let others change us once we gain the confidence that we are on the right track in the search for truth." --
"Where there is no derision the people perish," said Chiffan. "Now who said that?" asked Steenhold, always anxious to check his quotations. "It sounds familiar." "I said it," said Chiffan. "Get on with your suggestions."
"Mrs. Fannie Lou Hamer, a sharecropper in Ruleville, Mississippi, became legendary as organizer and speaker. She sang hymns; she walked picket lines with her familiar limp (as a child she contracted polio). She roused people to excitement at mass meetings: "I'm sick an' tired o' bein' sick an' tired!"
Mr. Montag, you are looking at a coward. I saw the way things were going, a long time back. I said nothing. I'm one of the innocents who could have spoken up and out when no one would listen to theguilty,' but I did not speak and thus became guilty myself.
Richard Nixon had made a fatal error in ignoring the politico-meteorological dimension when he announced the expansion of the Vietnam War into Cambodia on April 30, 1970. The invasion of Laos, on the other hand, happened in February 1971, and the campuses were quiet. Who wants to stage a walkout in February?