c6ab6d0
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"Yes, I do believe in something. I believe in being warm-hearted. I believe especially in being warm-hearted in love, in fucking with a warm heart. I believe if men could fuck with warm hearts, and the women
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sex
love
modernism
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D.H. Lawrence |
884a1e6
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For instance? Well, for instance, what it means to be a man. In a city. In a century. In transition. In a mass. Transformed by science. Under organized power. Subject to tremendous controls. In a condition caused by mechanization. After the late failure of radical hopes. In a society that was no community and devalued the person. Owing to the multiplied power of numbers which made the self negligible. Which spent military billions against foreign enemies but would not pay for order at home. Which permitted savagery and barbarism in its own great cities. At the same time, the pressure of human millions who have discovered what concerted efforts and thoughts can do. As megatons of water shape organisms on the ocean floor. As tides polish stones. As winds hollow cliffs. The beautiful supermachinery opening a new life for innumerable mankind. Would you deny them the right to exist? Would you ask them to labor and go hungry while you yourself enjoyed old-fashioned Values? You--you yourself are a child of this mass and a brother to all the rest. or else an ingrate, dilettante, idiot. There, Herzog, thought Herzog, since you ask for the instance, is the way it runs.
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science
machinery
modernism
obscurity
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Saul Bellow |
9d39af0
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ESTRAGON: We always find something, eh Didi, to give us the impression we exist? VLADIMIR: (impatiently). Yes, yes, we're magicians. But let us persevere in what we have resolved, before we forget.
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english-theatre
waiting-for-godot
samuel-beckett
tragicomedy
modernism
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Samuel Beckett |
d97c7a0
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I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centered, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal. College transported me to a new town, where I tried, one more time, to reinvent myself. Becoming someone new, I could correct the errors of my past. At first I was optimistic: I could pull it off. But in the end, no matter where I went, I could never change. Over and over I made the same mistake, hurt other people, and hurt myself in the bargain. Just after I turned twenty, this thought hit me: Maybe I've lost the chance to ever be a decent human being. The mistakes I'd committed--maybe they were part of my very makeup, an inescapable part of my being. I'd hit rock bottom, and I knew it.
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good-intentions
modernism
existential-crisis
japan
novel
introspection
psychology
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Haruki Murakami |
f1011ac
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The pure modernist is merely a snob; he cannot bear to be a month behind the fashion.
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modernism
snobbery
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G.K. Chesterton |
656b829
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Yet she said to herself, from the dawn of time odes have been sung to love; wreathes heaped and roses; and if you asked nine people out of ten they would say they wanted nothing but this; while the women, judging from her own experience, would all the time be feeling, This is not what we want; there is nothing more tedious, puerile and inhumane than love; yet it is also absolutely beautiful and necessary.
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relationships
life
love
to-the-lighthouse
modernism
virginia-woolf
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Virginia Woolf |
f986831
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We have everything we need to be happy, but we aren't happy,Something's missing!
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modernism
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Ray Bradbury |
101c80e
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"What does it mean to demonstrate in the streets, what is the significance of that collective activity so symptomatic of the twentieth century? In stupefaction Ulrich watches the demonstrators from the window; as they reach the foot of the palace, their faces turn up, turn furious, the men brandish their walking sticks, but "a few steps farther, at a bend where the demonstration seemed to scatter into the wings, most of them were already dropping their greasepaint: it would be absurd to keep up the menacing looks where there were no more spectators." In the light of that metaphor, the demonstrators are not men in a rage; they are actors performing rage! As soon as the performance is over they are quick to drop their greasepaint! Later, in the 1960s, philosophers would talk about the modern world in which everything had turned into spectacle: demonstrations, wars, and even love; through this "quick and sagacious penetration" (Fielding), Musil had already long ago discerned the "society of spectacle."
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rage
politics
demonstration
spectacle
activism
modernism
artifice
protest
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Milan Kundera |
66905b0
|
One of the many innovations of modernism was the new demands it placed on the audience. Music, painting, literature, even architecture, would never again be quite so 'easy' as they had been.
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modernism
innovation
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Peter Watson |
fe3318a
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General theories are everywhere condemned; the doctrine of the Rights of Man is dismissed with the doctrine of the Fall of Man. Atheism itself is too theological for us to-day. Revolution itself is too much of a system; liberty itself is too much of a restraint. We will have no generalizations. Mr. Bernard Shaw has put the view in a perfect epigram: 'The golden rule is that there is no golden rule.' We are more and more to discuss details in art, politics, literature. A man's opinion on tramcars matters; his opinion on Botticelli matters; his opinion on all things does not matter. He may turn over and explore a million objects, but he must not find that strange object, the universe; for if he does he will have a religion, and be lost. Everything matters--except everything.
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postmodernity
generalizations
modernism
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G.K. Chesterton |
65e4902
|
They wanted facts. Facts! They demanded facts from him, as if facts could explain anything!
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joseph-conrad
lord-jim
modernist
modernism
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Joseph Conrad |
725969c
|
"Every novel says to the reader: "Things are not as simple as you think." That is the novel's eternal truth, but it grows steadily harder to hear amid the din of easy, quick answers that come faster than the question and block it off. In the spirit of our time, it's either Anna or Karenin who is right, and the ancient wisdom of Cervantes, telling us about the difficulty of knowing and the elusiveness of truth, seems cumbersome and useless."
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tolstoy
modernism
epistemology
existentialism
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Milan Kundera |
21f9722
|
Having arrived at this point, he had found no direction in which to go save that of further withdrawal into a subjectivity which refused existence to any reality or law but its own. During these postwar years he had lived in solitude and carefully planned ignorance of what was happening in the world. Nothing had importance save the exquisitely isolated cosmos of his own consciousness. Then little by little he had had the impression that the light of meaning, the meaning of everything was dying. Like a flame under a glass it had dwindled, flickered and gone out, and all existence, including his own hermetic structure from which he had observed existence, had become absurd and unreal.
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solitude
existence
meaning
ennui
postwar
meaninglessness
modernism
subjectivity
isolation
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Paul Bowles |
42a1761
|
We all grew up, those of us who took to heart. We came to cringe a little at our old favorite poet, concluding that God was likely never Pooh Bear, that sometimes New York and California could be just as isolated as our provincial hometown, and that grown men didn't run back and forth all the time bleeding soup and sympathy out of sucker women. But those are just details, really. We got what we needed, namely a passion for unlikely words, the willingness to improvise, a distrust of authority, and a sentimental attachment to a certain America....
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on-the-road
kerouac
modernism
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Sarah Vowell |
0e51b0b
|
"Every little thing makes a difference, whether you decide it yourself or whether it's pure accident. So many people have had the whole course of their lives changed by something perfectly simple like, let's say, crossing the street at one point instead of another." "Yes, yes, yes, I know," Stenham said with exaggerated weariness. "As far as I'm concerned that's just as boring, and a lot more false, by the way. The point I'm trying to make is that he loves his world of Koranic law because it's his, and at the same time he hates it because his intuition tells him it's at the end of its rope. He can't expect anything more from it. And our world, he hates that too, just on general principles, and yet it's his only hope, the only way out--if there is one for him personally, which I doubt."
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french-morocco
western-dominion
koran
western-civilization
morocco
modernism
imperialism
relativism
way-of-life
culture
modernity
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Paul Bowles |
e4c35a3
|
My views on wealth redistribution were shaped largely by knowledge elites who earned their living by words and ideas--professors, writers, and movement leaders. Like most of the broadminded clergy I knew, I reasoned out of modern naturalistic premises, employing biblical narratives narrowly and selectively as I found them useful politically. The saving Grace of God on the cross was not in my mix of life changing ideas.
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modernism
political-theology
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Thomas C. Oden |