This is a work of fiction. Still, given an infinite number of possible worlds, it must be true on one of them. And if a story set in an infinite number of possible worlds is true in one of them, then it must be true in all of them. So maybe, it's not as fictional as we think.
"And when I fall in love," I began, "I will build a mountain to touch the sky. Then, my lover and I will have the best of both worlds, reality firmly under our feet, while we have our heads in the clouds with all our illusions still intact. And the purple grass will grow all around, high enough to reach our eyes."
So I saw that there was only me. There was only me who could worry about what was happening here, inside these walls of my life. Other people had their own worlds to worry about, and in the end, they had to fend for themselves, just like us.
Few of us have seen the stars as folk saw them then - our cities and towns cast too much light into the night - but, from the village of Wall, the stars were laid out like worlds or like ideas, uncountable as the trees in a forest or the leaves on a tree.
There's a sameness to streetlife. On every world I've ever been, the same underlying patterns play out, flaunt and vaunt, buy and sell, like some distilled essence of human behavior seeping out from whatever clanking political machine has been dropped on it from above.
One wants never to give up this crystalline perspective. One wants to keep counterpositioning home with what one knows of alternative realities, as they exist in Tunis or Hyderabad. One wants never to forget that nothing here is normal, that the streets are different in Wisebaden, and Louyang, that this is just one of many possible worlds.