"You may write me down in history With your bitter, twisted lies, You may tread me in the very dirt But still, like dust, I'll rise. Does my sassiness upset you? Why are you beset with gloom? 'Cause I walk like I've got oil wells Pumping in my living room. Just like moons and like suns, With the certainty of tides, Just like hopes springing high, Still I'll rise. Did you want to see me broken? Bowed head and lowered eyes? Shoulders falling down like teardrops. Weakened by my soulful cries. Does my haughtiness offend you? Don't you take it awful hard 'Cause I laugh like I've got gold mines Diggin' in my own back yard. You may shoot me with your words, You may cut me with your eyes, You may kill me with your hatefulness, But still, like air, I'll rise. Does my sexiness upset you? Does it come as a surprise That I dance like I've got diamonds At the meeting of my thighs? Out of the huts of history's shame I rise Up from a past that's rooted in pain I rise I'm a black ocean, leaping and wide, Welling and swelling I bear in the tide. Leaving behind nights of terror and fear I rise Into a daybreak that's wondrously clear I rise Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise
It is really wonderful how much resilience there is in human nature. Let any obstructing cause, no matter what, be removed in any way, even by death, and we fly back to first principles of hope and enjoyment.
Write. Don't talk about writing. Don't tell me about your wonderful story ideas. Don't give me a bunch of 'somedays'. Plant your ass and scribble, type, keyboard. If you have any talent at all it will leak out despite your failure to pay attention in English.
I did not tell you that it would be okay, because I have never believed it would be okay. What I told you is what your grandparents tried to tell me: that this is your country, that this is your world, that this is your body, and you must find some way to live within the all of it.
You must bear losses like a soldier, the voice told me, bravely and without complaint, and just when the day seems lost, grab your shield for another stand, another thrust forward. That is the juncture that separates heroes from the merely strong.
Looking into his eyes, you seemed to see there the yet lingering images of those thousand-fold perils he had calmly confronted through life. A staid, steadfast man, whose life for the most part was a telling pantomime of action, and not a tame chapter of sounds.
Give not thyself up, then, to fire, lest it invert thee, deaden thee; as for the time it did me. There is a wisdom that is woe; but there is a woe that is madness. And there is a Catskill eagle in some souls that can alike dive down into the blackest gorges, and soar out of them again and become invisible in the sunny spaces. And even if he for ever flies within the gorge, that gorge is in the mountains; so that even in his lowest swoop the mountain eagle is still higher than other birds upon the plain, even though they soar.
"I feel I'm at the end of something -- everything is going to be different -- and terrible." "That doesn't sound like you, you ride every wave." "There is one that will drown me."
When one door of happiness closes, another opens; but often we look so long at the closed door that we do not see the one which has been opened for us.
It's not just the body that must survive a jail term: the spirit and the will and the heart have to make it through as well. If any one of them is broken or destroyed, the man whose living body walks through the gate, at the end of his sentence, can't be said to have survived it.
"Inside, the midwife was trying to get Socorro to open her mouth wide and let the pain come out. "Open your mouth," said Angelina, massaging Socorro's neck and shoulders, "and let out what you feel. Don't keep it in, querida, let it out." Socorro cried softly at first, but little by little she loosened up and she began to let out long, ear-piercing screams. "Good," said the midwife, "now breathe deeply, deeply, and then cry out again, letting all the pain go out of your body."
The author cites researcher David Howard's idea of post-traumatic growth. Howard contends that some individuals faced with a traumatic event actually develop new strength.
"Because two propositions can be true at once," he said. "Because the world is imperfect. Because we are imperfect. Because sometimes we're called upon to do terrible things. And because we define ourselves in dying, which is," he indicated by motioning with his head toward the arena, "what this is. Give us at least that."
And I know that there are black boys and black girls out there lost in a Bermuda triangle of the mind or stranded in the doldrums of America, some of them treading and some of them drowning, never feeling and never forgetting. The most precious thing I had then is the most precious thing I have now--my own curiosity. That is the thing I knew, even in the classroom, they could not take from me. That is the thing that buoyed me and eventually plucked me from the sea.
And they say, if ever a traveler plucks the wild parsley, and takes the bark of the hazel tree, and the secret toadstools, and mixes them with crocus from the patch of forest where the hero's last bones lie, a powerful spell will come to life. The hero will be reborn, not as he was before his destruction, but many times stronger in body and spirit; for he will be filled with the strength of earth, sea, and air. I think of the seven of us as the parts of one body. We may be torn asunder, and it may seem as if there is no tomorrow for us. We may each travel our own path, and we may fall and be broken and mend again. But in the end, as surely as the sun and moon make their way across the arch of the heavens, the strength of one is the strength of seven.
In the months following James' death, on thought had returned time and again as she passed others in the street. What secrets did these people hold? What had they endured? She wondered how many people rushing in and out of shops, or on their way to their work, had lost a love, or known deep disappointment or grief, fear, or want, yet summoned the resilience to go on. Those lines across foreheads, those mouths downturned --- what were the ruts on life's road that wrought such marks, those signs of scars on the soul?
"Unluckier still was Guillaume Le Gentil, whose experiences are wonderfully summarized by Timothy Ferris in Coming of Age in the Milky Way . Le Gentil set off from France a year ahead of time to observe the transit (of Venus) from India, but various setbacks left him still at sea on the day of the transit--just about the worst place to be since steady measurements were impossible on a pitching ship.