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5c6ebba
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"I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men." "Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything." --
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stereotypes
opportunities
men
feminism
women
education
love
constancy
clichés
social-norms
misogyny
double-standards
inequality
gender
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Jane Austen |
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3a4c945
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"When people dis fantasy--mainstream readers and SF readers alike--they are almost always talking about one sub-genre of fantastic literature. They are talking about , and Tolkien's innumerable heirs. Call it 'epic', or 'high', or 'genre' fantasy, this is what fantasy has come to mean. Which is misleading as well as unfortunate. Tolkien is the wen on the arse of fantasy literature. His oeuvre is massive and contagious--you can't ignore it, so don't even try. The best you can do is consciously try to lance the boil. And there's a lot to dislike--his cod-Wagnerian pomposity, his boys-own-adventure glorying in war, his small-minded and reactionary love for hierarchical status-quos, his belief in absolute morality that blurs moral and political complexity. Tolkien's cliches--elves 'n' dwarfs 'n' magic rings--have spread like viruses. He wrote that the function of fantasy was 'consolation', thereby making it an article of policy that a fantasy writer should mollycoddle the reader. That is a revolting idea, and one, thankfully, that plenty of fantasists have ignored. From the Surrealists through the pulps--via and and and and and and I could go on--the best writers have used the fantastic aesthetic precisely to challenge, to alienate, to subvert and undermine expectations. Of course I'm not saying that any fan of Tolkien is no friend of mine--that would cut my social circle considerably. Nor would I claim that it's impossible to write a good fantasy book with elves and dwarfs in it--Michael Swanwick's superb gives the lie to that. But given that the pleasure of fantasy is supposed to be in its limitless creativity, why not try to come up with some different themes, as well as unconventional monsters? Why not use fantasy to challenge social and aesthetic lies? Thankfully, the alternative tradition of fantasy has never died. And it's getting stronger. , , , ,
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literature
clichés
j-r-r-tolkien
fantasy-fiction
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China Miéville |
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1b4a9e4
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"Wine and women make wise men dote and forsake God's law and do wrong." However, the fault is not in the wine, and often not in the woman. The fault is in the one who misuses the wine or the woman or other of God's crations. Even if you get drunk on the wine and through this greed you lapse into lechery, the wine is not to blame but you are, in being unable or unwilling to discipline yourself. And even if you look at a woman and become caught up in her beauty and assent to sin [= adultery; extramarital sex], the woman is not to blame nor is the beauty given her by God to be disparaged: rather, you are to blame for not keeping your heart more clear of wicked thoughts. ... If you feel yourself tempted by the sight of a woman, control your gaze better ... You are free to leave her. Nothing constrains you to commit lechery but your own lecherous heart."
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stereotypes
men
temptation
women
greed
beauty
clichés
drunkenness
social-norms
misogyny
hypocrisy
double-standards
immorality
gender
lust
sexuality
wine
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Anonymous |
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bacb7f4
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If woman had no existence save in the fiction written by men, one would imagine her a person of the utmost importance (...); as great as a man, some think even greater. But this is woman in fiction. In fact, as points out [in his ], she was locked up, beaten and flung about the room.
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stereotypes
woman
equality
fiction
truth
clichés
greatness
dignity
importance
hypocrisy
respect
gender
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Virginia Woolf |
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5cef7f8
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Very often the test of one's allegiance to a cause or to a people is precisely the willingness to stay the course when things are boring, to run the risk of repeating an old argument just one more time, or of going one more round with a hostile or (much worse) indifferent audience. I first became involved with the Czech opposition in 1968 when it was an intoxicating and celebrated cause. Then, during the depressing 1970s and 1980s I was a member of a routine committee that tried with limited success to help the reduced forces of Czech dissent to stay nourished (and published). The most pregnant moment of that commitment was one that I managed to miss at the time: I passed an afternoon with Zdenek Mlynar, exiled former secretary of the Czech Communist Party, who in the bleak early 1950s in Moscow had formed a friendship with a young Russian militant with an evident sense of irony named Mikhail Sergeyevitch Gorbachev. In 1988 I was arrested in Prague for attending a meeting of one of Vaclav Havel's 'Charter 77' committees. That outwardly exciting experience was interesting precisely because of its almost Zen-like tedium. I had gone to Prague determined to be the first visiting writer not to make use of the name Franz Kafka, but the numbing bureaucracy got the better of me. When I asked why I was being detained, I was told that I had no need to know the reason! Totalitarianism is itself a cliche (as well as a of pulverizing boredom) and it forced the cliche upon me in turn. I did have to mention Kafka in my eventual story. The regime fell not very much later, as I had slightly foreseen in that same piece that it would. (I had happened to notice that the young Czechs arrested with us were not at all frightened by the police, as their older mentors had been and still were, and also that the police themselves were almost fatigued by their job. This was totalitarianism practically yawning itself to death.) A couple of years after that I was overcome to be invited to an official reception in Prague, to thank those who had been consistent friends through the stultifying years of what 'The Party' had so perfectly termed 'normalization.' As with my tiny moment with Nelson Mandela, a whole historic stretch of nothingness and depression, combined with the long and deep insult of having to be pushed around by boring and mediocre people, could be at least partially canceled and annealed by one flash of humor and charm and generosity.
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irony
history
humour
politics
1968
1970s
1980s
1988
allegiance
arrest
bad-crowds
charter-77
gorbachev
kafka
nelson-mandela
vaclav-havel
zdenek-mlynar
prague
moscow
czechoslovakia
arguments
exile
commitment
bureaucracy
boredom
clichés
generosity
dissent
totalitarianism
detention
mediocrity
charm
russia
communism
loyalty
police
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Christopher Hitchens |
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49995dd
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We are accustomed to repeating the cliche, and to believing, that 'our most precious resource is our children.' But we have plenty of children to go around, God knows, and as with Doritos, we can always make more. The true scarcity we face is practicing adults, of people who know how marginal, how fragile, how finite their lives and their stories and their ambitions really are but who find value in this knowledge, even a sense of strange comfort, because they know their condition is universal, is shared.
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communality
clichés
obscurity
experience
children
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Michael Chabon |
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4d91af8
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God bids you not to commit lechery, that is, not to have sex with any woman except your wife. You ask of that she should not have sex with anyone except you -- yet you are not willing to observe the same restraint in return. Where you ought to be ahead of your wife in virtue, you collapse under the onset of lechery. ... Complaints are always being made about men's lechery, yet wives do not dare to find fault with their husbands for it. Male lechery is so brazen and so habitual that it is now sanctioned [= permitted], to the extent that men tell their wives that lechery and adultery are legitimate for men but not for women.
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stereotypes
marriage
men
women
morality
clichés
fidelity
wives
social-norms
misogyny
hypocrisy
double-standards
gender
sexuality
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Augustine of Hippo |
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12a16c9
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Two cliches make us laugh. A hundred cliches move us. For we sense dimly that the cliches are talking , and celebrating a reunion. ( )
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clichés
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Umberto Eco |