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| Link | Quote | Stars | Tags | Author |
| 91921ef | Avtoru sledovalo by umeret', zakonchiv knigu. Chtoby ne stanovit'sia na puti teksta. | Umberto Eco | ||
| 8a38e1b | So Italy was invaded by these Fraticelli or Friars of the Poor Life, whom many considered dangerous. At this point it was difficult to distinguish the spiritual masters, who maintained contact with the ecclesiastical authorities, from their simpler followers, who now lived outside the order, begging for alms and existing from day to day by the labor of their hands, holding no property of any kind. | Umberto Eco | ||
| cea2c38 | wlkn Glb m Hdth 'n wjdt ltmthyl llkhTy l'kthr Gr fy SfHt 'wly'k lrjl l'fDl lmtnzhyn `n lfsd wldhyn ydynwn ftnth wt'thyrth, whdh dlyl `l~ 'n 'wly'k lrjl yHdwhm Hms qwy ljl lHqyq@ l~ Hd 'nhm l ytrddwn, Hb fy llh, `n tqlyd lshr bkl lmGryt lty ytHl~ bh, Ht~ ylqnw khwnhm kl lTrq lty yst`mlh lshyTn lftnthm | Umberto Eco | ||
| eb0191d | La creatividad significa saber quienes somos. Es jazz sin musica, es un flujo de energia. Ser creativos es ser valientes | creativity-and-attitude | Umberto Eco | |
| 1d74535 | Before the eyes of monks intent on meditation, what is the meaning of those ridiculous grotesques, those monstrous shapes and shapely monsters? Those sordid apes? Those lions, those centaurs, those half-human creatures, with mouths in their bellies, with single feet, ears like sails? Those spotted tigers, those fighting warriors, those hunters blowing their horns, and those many bodies with single heads and many heads with single bodies? Qu.. | Umberto Eco | ||
| c9a2926 | The year had begun with the first protests in Milan against the Austrians, where citizens had stopped smoking to damage the revenues of the imperial government (those Milanese comrades, who stood firm when soldiers and police provoked them by blowing clouds of sweet-scented cigar smoke at them, were seen by my Turin companions as heroes). | Umberto Eco | ||
| 946e3f3 | Oi ephemerides didaskoun ton kosmo pos prepei na skephtetai | Umberto Eco | ||
| a1229f2 | They're still there," Salon said. "Not in Agarttha, but in tunnels. Perhaps beneath us, right here. Milan, too, has a metro. Who decided on it? Who directed the excavations?" "Expert engineers, I'd say." "Yes, cover your eyes with your hands. And meanwhile, in that firm of yours, you publish such books ... How many Jews are there among your authors?" "We don't ask our authors to fill out racial forms," I replied stiffly. "You mustn't think .. | Umberto Eco | ||
| 2c22612 | In other words, to see if through these cultural phenomena a new Middle Ages is to take shape, a time of secular mystics, more inclined to monastic withdrawal than to civic participation. We should see how much, as antidote or as antistrophe, the old techniques of reason may apply, the arts of the Trivium, logic, dialectic, rhetoric. As we suspect that anyone who goes on stubbornly practicing them will be accused of impiety. | Umberto Eco | ||
| 4a1bdf2 | a complicit mustiness hung in the air, the odour of silence and calm. | Umberto Eco | ||
| 3884e20 | The German lives in a state of perpetual intestinal embarrassment due to an excess of beer and the pork sausages on which he gorges himself. | Umberto Eco | ||
| c601b1d | Nao se pode fugir a um infinito, disse comigo, fugindo em direcao a outro infinito; nao se foge da revelacao do identico, na ilusao de que se pode encontrar o diverso. | Umberto Eco | ||
| aa09728 | I felt dull and somnolent, for daytime sleep is like the sin of the flesh: the more you have the more you want, and yet you feel unhappy, sated and unsated at the same time. William | Umberto Eco | ||
| 09c15ca | In other words, although I don't like them, we do need noble-spirited souls. | Umberto Eco | ||
| 76c5961 | Chi ride e malvagio solo per chi crede in cio di cui si ride. | Umberto Eco | ||
| 8c36eef | I am gripped by an irresistible urge to kill myself, but I know it's the devil tempting me. | Umberto Eco | ||
| e81196f | In the past men were handsome and great (now they are children and dwarfs), but this is merely one of the many facts that demonstrate the disaster of an aging world. The young no longer want to study anything, learning is in decline, the whole world walks on its head, blind men lead others equally blind and cause them to plunge into the abyss, birds leave the nest before they can fly, the jackass plays the lyre, oxen dance. Mary no longer l.. | Umberto Eco | ||
| f7504e8 | No importa la fe que ofrece determinado movimiento, sino la esperanza que propone | hope life-lessons | Umberto Eco | |
| 812b11e | Oh, what a harmony of abandonment and impulse, of unnatural and yet graceful postures, in that mystical language of limbs miraculously freed from the weight of corporeal matter, marked quantity infused with new substantial form, as if the holy band were struck by an impetuous wind, breath of life, frenzy of delight, rejoicing song of praise miraculously transformed, from the sound that it was, into image. | Umberto Eco | ||
| daa3d9e | The Antichrist can be born from piety itself, from excessive love of God or of the truth, as the heretic is born from the saint and the possessed from the seer. Fear prophets, Adso, and those prepared to die for the truth, for as a rule they make many others die with them, often before them, at times instead of them. Jorge | Umberto Eco | ||
| c05859d | It's hard to accept the idea that there cannot be an order in the universe because it would offend the free will of God and His omnipotence. So the freedom of God is our condemnation, or at least the condemnation of our pride. | Umberto Eco | ||
| bcc169f | The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective. He collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey, where extraordinary things are happening under the cover of night. A spectac.. | Umberto Eco | ||
| 5b10d0a | If he has none to give him pain, he has none to give him pleasure. She never expressed doubts about the way she raised children..she continued to believe mothers influence was paramount in her children's future development, she also understood no one was perfect. | Lynne Withey | ||
| ccf3746 | But how does it happen," I said with admiration, "that you were able to solve the mystery of the library looking at it from the outside, and you were unable to solve it when you were inside?" "Thus God knows the world, because He conceived it in His mind, as if from the outside, before it was created, and we do not know its rule, because we live inside it, having found it already made." -- | Umberto Eco | ||
| bde6ea8 | there are two forms of magic. There is a magic that is the work of the Devil and which aims at man's downfall through artifices of which it is not licit to speak. But there is a magic that is divine, where God's knowledge is made manifest through the knowledge of man, and it serves to transform nature, and one of its ends is to prolong man's very life. | Umberto Eco | ||
| 97553ab | Her ne olursa olsun, kurmaca yapitlar okumaktan vazgecmeyecegiz, cunku onlarda yasamimiza bir anlam verecek formulu aramaktayiz. Sonucta, yasamimiz suresince, bize neden dunyaya geldigimizi ve yasadigimizi soyleyecek bir ilk oykunun arayisi icindeyiz. Kimi zaman kozmik bir oyku ariyoruz, evrenin oykusunu, kimi zaman kendi bireysel oykumuzu. Kimi zaman da kendi bireysel oykumuzu evrenin oykusuyle cakistirmayi umuyoruz. | six-walks-in-the-fictional-woods umberto-eco | Umberto Eco | |
| 47b7903 | Pero los periodicos ?siguen las tendencias de la gente o las crean? --Ambas cosas, senorita Fresia. La gente al principio no sabe que tendencia tiene, luego nosotros se lo decimos y entonces la gente se da cuenta de que la tiene. | Umberto Eco | ||
| b033e36 | There are words that give power, others that make us all the more derelict, | Umberto Eco | ||
| d18aa8a | Often during our journey I heard William mention "the simple," a term by which some of his brothers denoted not only the populace but, at the same time, the unlearned. This expression always seemed to me generic, because in the Italian cities I had met men of trade and artisans who were not clerics but were not unlearned, even if their knowledge was revealed through the use of the vernacular. And, for that matter, some of the tyrants who go.. | Umberto Eco | ||
| 61d3ff6 | as Boethius says, nothing is more fleeting than external form, which withers and alters like the flowers of the field at the appearance of autumn; and what would be the point of saying today that the abbot Abo had a stern eye and pale cheeks, when by now he and those around him are dust and their bodies have the mortal grayness of dust (only their souls, God grant, shining with a light that will never be extinguished)? | Umberto Eco | ||
| 2cc6a5c | It is certainly human to make mistakes, but there are some human beings who make more than others, and they are called fools. | Umberto Eco | ||
| af53af7 | The maximum of confusion achieved with the maximum of order: it seems a sublime calculation. | Umberto Eco | ||
| 9bc35b7 | Often the object of a desire, when desire is transformed into hope, becomes more real than reality itself. | Umberto Eco | ||
| ed2c7dc | I perdenti, come gli autodidatti, hanno sempre conoscenze piu vaste dei vincenti, se vuoi vincere devi sapere una cosa sola e non perdere tempo a saperle tutte, il piacere dell'erudizione e riservato ai perdenti. | Umberto Eco | ||
| c174fc2 | For architecture, among all the arts, is the one that most boldly tries to reproduce in its rhythm the order of the universe, which the ancients called "kosmos," that is to say ornate, since it is like a great animal on whom there shine the perfection and the proportion of all its members." | Umberto Eco | ||
| 646a8e4 | the Devil is the arrogance of the spirit, faith without smile, truth that is never seized by doubt. | william-of-baskerville | Umberto Eco | |
| d12ab8b | The young no longer want to study anything, learning is in decline, the whole world walks on its head, blind men lead others equally blind and cause them to plunge into the abyss, birds leave the nest before they can fly, the jackass plays the lyre, oxen dance. Mary no longer loves the contemplative life and Martha no longer loves the active life, Leah is sterile, Rachel has a carnal eye, Cato visits brothels. Everything is diverted from it.. | Umberto Eco | ||
| db9c4d3 | Diotallevi and Belbo, both from Piedmont, often claimed that any good Piedmontese had the ability to listen politely, look you in the eye, and say "You think so?" in a tone of such apparent sincerity that you immediately felt his profound disapproval" | Umberto Eco | ||
| c25ae62 | The only truths that are useful are instruments to be thrown away. | Umberto Eco | ||
| 5d69644 | excessive love of God or of the truth, as the heretic is born from the saint and the possessed from the seer. Fear prophets, Adso, and those prepared to die for the truth, for as a rule they make many others die with them, often before them, at times instead of them. Jorge did | Umberto Eco | ||
| d3bd580 | And since I wanted you to feel as pleasurable the one thing that frightens us--namely, the metaphysical shudder--I had only to choose (from among the model plots) the most metaphysical and philosophical: the detective novel. | Umberto Eco | ||
| 242ce7f | I will not deny, however, that in the course of the journey, he sometimes stopped at the edge of a meadow, at the entrance to a forest, to gather some herb (always the same one, I believe): and he would then chew it with an absorbed look. He kept some of it with him, and ate it in the moments of greatest tension (and we had a number of them at the abbey!). | narcotic-herb psychoactive | Umberto Eco | |
| 21ed225 | Hoy en dia no nos damos cuenta que la cualidad unica de una obra de arte no hay que buscarla en una idea concebida por acto de gracia e independiente de la experiencia de la naturaleza: en el arte convergen todas nuestras experiencias vividas, elaboradas y resumidas segun los normales procesos imaginativos, salvo que lo que hace unica la obra es el en el que esta elaboracion se vuelve concreta y se ofrece a la percepcion, a traves de un p.. | estética | Umberto Eco | |
| 75b9714 | It has been said that narrative worlds are always little worlds, because they do not constitute a maximal and complete state of things. In this sense narrative worlds are parasitical, because, if the alternative properties are not specified, we take for granted the properties that hold good in the real world. | fiction | Umberto Eco |