|
3268e45
|
Los Angeles was the kind of place where everybody was from somewhere else and nobody really droppped anchor. It was a transient place. People drawn by the dream, people running from the nightmare. Twelve million people and all of them ready to make a break for it if necessary. Figuratively, literally, metaphorically -- any way you want to look at it -- everbody in L.A. keeps a bag packed. Just in case.
|
|
dreams
escape
escapism
hopes
los-angeles
nightmares
restlessness
southern-california
transience
|
Michael Connelly |
|
d074be2
|
But you don't need anything. You have everything,' I tell him. Rip looks at me. 'No I don't.' 'What?' 'No I don't.' There's a pause and then I ask, 'Oh, shit, Rip, What don't you have?' 'I don't have anything to loose.
|
|
los-angeles
rip
youth
|
Bret Easton Ellis |
|
257c716
|
I come to a red light, tempted to go through it, then stop once I see a billboard sign that I don't remember seeing and I look up at it. All it says is 'Disappear Here' and even though it's probably an ad for some resort, it still freaks me out a little and I step on the gas really hard and the car screeches as I leave the light.
|
|
clay
light
los-angeles
lost
meaning
meaninglessness
signs
youth
|
Bret Easton Ellis |
|
e346027
|
"An afternoon drive from Los Angeles will take you up into the high mountains, where eagles circle above the forests and the cold blue lakes, or out over the Mojave Desert, with its weird vegetation and immense vistas. Not very far away are Death Valley, and Yosemite, and Sequoia Forest with its giant trees which were growing long before the Parthenon was built; they are the oldest living things in the world. One should visit such places often, and be conscious, in the midst of the city, of their surrounding presence. For this is the real nature of California and the secret of its fascination; this untamed, undomesticated, aloof, prehistoric landscape which relentlessly reminds the traveller of his human condition and the circumstances of his tenure upon the earth. "You are perfectly welcome," it tells him, "during your short visit. Everything is at your disposal. Only, I must warn you, if things go wrong, don't blame me. I accept no responsibility. I am not part of your neurosis. Don't cry to me for safety. There is no home here. There is no security in your mansions or your fortresses, your family vaults or your banks or your double beds. Understand this fact, and you will be free. Accept it, and you will be happy."
|
|
desert
empowerment
environment
freedom
happiness
liberation
los-angeles
mountains
nature
risk
risk-taking
self-responsibility
wildness
|
Christopher Isherwood |
|
8bc30f3
|
When I got home I mixed a stiff one and stood by the open window in the living room and sipped it and listened to the groundswell of traffic on Laurel Canyon Boulevard and looked at the glare of the big angry city hanging over the shoulder of the hills through which the boulevard had been cut. Far off the banshee wail of police or fire sirens rose and fell, never for very long completely silent. Twenty four hours a day somebody is running, somebody else is trying to catch him. Out there in the night of a thousand crimes, people were dying, being maimed, cut by flying glass, crushed against steering wheels or under heavy tires. People were being beaten, robbed, strangled, raped, and murdered. People were hungry, sick; bored, desperate with loneliness or remorse or fear, angry, cruel, feverish, shaken by sobs. A city no worse than others, a city rich and vigorous and full of pride, a city lost and beaten and full of emptiness. It all depends on where you sit and what your own private score is. I didn't have one. I didn't care. I finished the drink and went to bed.
|
|
disillusionment
los-angeles
southern-california
|
Raymond Chandler |
|
1f80e2d
|
The setting sun burned the sky pink and orange in the same bright hues as surfers' bathing suits. It was beautiful deception, Bosch thought, as he drove north on the Hollywood Freeway to home. Sunsets did that here. Made you forget it was the smog that made their colors so brilliant, that behind every pretty picture there could be an ugly story.
|
|
deception
los-angeles
make-believe
smog
southern-california
sunsets
|
Michael Connelly |
|
1e0b573
|
One good thing about New York is that most people function daily while in a low-grade depression. It's not like if you're in Los Angeles, where everyone's so actively working on cheerfulness and mental and physical health that if they sense you're down, they shun you. Also, all that sunshine is a cruel joke when you're depressed. In New York, even in your misery, you feel like you belong.
|
|
cheerfulness
depression
los-angeles
mindy-kaling
misery
new-york
|
Mindy Kaling |
|
75e3961
|
What do you do?' she asks, holding out the vest. 'What do you do?' 'What do you do?' she asks, her voice shaking. 'Don't ask me, please. Okay, Clay?' 'Why not?' She sits on the mattress after I get up. Muriel screams. 'Because... I don't know,' she sighs. I look at her and don't feel anything and walk out with my vest.
|
|
kim
los-angeles
vest
youth
|
Bret Easton Ellis |
|
341f463
|
Cherchez la femme, Bucky. Remember that.
|
|
french
los-angeles
noir
noir-fiction
pulp-fiction
|
James Ellroy |
|
0d2ece0
|
Many things in this period have been hard to bear, or hard to take seriously. My own profession went into a protracted swoon during the Reagan-Bush-Thatcher decade, and shows scant sign of recovering a critical faculty--or indeed any faculty whatever, unless it is one of induced enthusiasm for a plausible consensus President. (We shall see whether it counts as progress for the same parrots to learn a new word.) And my own cohort, the left, shared in the general dispiriting move towards apolitical, atonal postmodernism. Regarding something magnificent, like the long-overdue and still endangered South African revolution (a jagged fit in the supposedly smooth pattern of axiomatic progress), one could see that Ariadne's thread had a robust reddish tinge, and that potential citizens had not all deconstructed themselves into Xhosa, Zulu, Cape Coloured or 'Eurocentric'; had in other words resisted the sectarian lesson that the masters of apartheid tried to teach them. Elsewhere, though, it seemed all at once as if competitive solipsism was the signifier of the 'radical'; a stress on the salience not even of the individual, but of the trait, and from that atomization into the lump of the category. Surely one thing to be learned from the lapsed totalitarian system was the unwholesome relationship between the cult of the masses and the adoration of the supreme personality. Yet introspective voyaging seemed to coexist with dull group-think wherever one peered about among the formerly 'committed'. Traditionally then, or tediously as some will think, I saw no reason to discard the Orwellian standard in considering modern literature. While a sort of etiolation, tricked out as playfulness, had its way among the non-judgemental, much good work was still done by those who weighed words as if they meant what they said. Some authors, indeed, stood by their works as if they had composed them in solitude and out of conviction. Of these, an encouraging number spoke for the ironic against the literal mind; for the generously interpreted interest of all against the renewal of what Orwell termed the 'smelly little orthodoxies'--tribe and Faith, monotheist and polytheist, being most conspicuous among these new/old disfigurements. In the course of making a film about the decaffeinated hedonism of modern Los Angeles, I visited the house where Thomas Mann, in another time of torment, wrote . My German friends were filling the streets of Munich and Berlin to combat the recrudescence of the same old shit as I read: The path to this concept of enlightenment is not to be found in the pursuit of self-pity, or of self-love. Of course to be merely a political animal is to miss Mann's point; while, as ever, to be an apolitical animal is to leave fellow-citizens at the mercy of Ideolo'. For the sake of argument, then, one must never let a euphemism or a false consolation pass uncontested. The truth seldom lies, but when it does lie it lies somewhere in between.
|
|
apoliticism
argument
atheism
berlin
bought-priesthood
cape-coloureds
cold-war
communism
conviction
critical-thinking
enlightenment
euphemism
eurocentricism
faith
film
george-hw-bush
george-orwell
german-people
germany
groupthink
hedonism
humanism
individualism
irony
journalism
left-wing-politics
lies
literary-criticism
literature
los-angeles
margaret-thatcher
monotheism
munich
orthodoxy
personality-politics
politics
polytheism
populism
postmodernism
potus
progress
radical-politics
religion
right-wing-politics
ronald-reagan
russia
science
sectarianism
self-love
self-pity
socialism
solipsism
south-africa
soviet-union
thomas-mann
totalitarianism
tribalism
truth
united-states
xhosa-people
zulu-people
|
Christopher Hitchens |
|
2d019ed
|
Bosch had never liked Las Vegas, though he came often on cases. It shared a kinship with Los Angeles; both were places desperate people ran to. Often, when they ran from Los Angeles, they came here. It was the only place left.
|
|
desperation
escape
las-vegas
los-angeles
nevada
|
Michael Connelly |
|
c593793
|
Real cities have something else, some individual bony structure under the muck. Los Angeles has Hollywood -- and hates it. It ought to consider itself damn lucky. Without Hollywood it would be a mail order city. Everything in the catalogue youi could get better somewhere else.
|
|
hollywood
los-angeles
|
Raymond Chandler |
|
e4bf64a
|
"The bag was a hybrid I had picked up at a store called Suitcase City while I was plotting my comeback. [...] It had a logo on it -- a mountain ridgeline with the words "Suitcase City" printed across it like the Hollywood sign. Above it, skylights swept the horizon, completing the dream image of desire and hope. I think that logo was the real reason I liked the bag. Because I knew Suitcase City wasn't a store. It was a place. It was Los Angeles."
|
|
los-angeles
restlessness
southern-california
transience
|
Michael Connelly |
|
607a63a
|
But believe it or not, I really do like to read. I don't think anyone can ever pull the wool over your eyes if you stay prayed up and read. Frederick Douglass said that no man can be a slave if he has knowledge.
|
|
brandi-bates
fiction
frederick-douglass
knowledge
los-angeles
marcel
remains-to-be-seen
urban
wisdom
|
Brandi L. Bates |
|
69f1ffd
|
Despite the recurrence of events in which the debris-basin system fails in its struggle to contain the falling mountains, people who live on the front line are for the most part calm and complacent. It appears that no amount of front-page or prime-time attention will ever prevent such people from masking out the problem.
|
|
los-angeles
|
John McPhee |
|
5d399f0
|
Hidden Highlands was maybe a little richer but not that different from many of the other small, wealthy and scared enclaves nestled in the hills and valleys around Los Angeles. Walls and gates, guardhouses and private security forces were the secret ingredients of the so-called melting pot of southern California.
|
|
los-angeles
melting-pots
society
southern-california
wealth
|
Michael Connelly |
|
29022bb
|
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant.
|
|
la-quote
los-angeles
new-york
new-york-city
nyc
|
Francesca Lia Block |
|
41ec0d2
|
"I imagined that my own life was simple and sweet, and sometimes it was, but there were odd things going around town. There were rumors. There were stories. Everything was unmentionable but nothing was unimaginable. This mystical flirtation with the idea of "sin"-this sense that it was possible to go "too far", and that many people were doing it-this was very much with us in Los Angeles in 1968 and 1969. A demented and seductive vortical tension was building in the community. The jitters were setting in. I recall a time when the dogs barked every night and the moon was always full."
|
|
california
los-angeles
|
Joan Didion |
|
8eadc19
|
"The Hollywooden heads would buy a car for almost any purpose except a worthy one. Many automobiles were purchased to attract members of LA's eight or ten opposite sexes. Since the denizens of America's Gomorrah, were incapable of verbalizing any idea more complex than "box office gross," the expensive car served as a substitute for witty come-on and seductive chat."
|
|
hollywood
humor
los-angeles
sex
|
P.J. O'Rourke |
|
78d4a53
|
I was thinking earlier that to know this city you must first become penniless, because pennilessness (real pennilessness, I mean not having $2 for the subway) forces you to walk everywhere and you see the city best on foot.
|
|
los-angeles
money
poor
walk
|
Emily St. John Mandel |
|
ea49db0
|
I went to the door and looked out. The cool night breeze was blowing peacefully down the hall. No excited neighbors hung out of doorways. A small gun had gone off and broken a pane of glass, but noises like that don't mean much any more.
|
|
crime
guns
los-angeles
|
Raymond Chandler |
|
63affe6
|
Despite the mountain of gold that has been built downtown, Los Angeles remains vulnerable to the same explosive convergence of street anger, poverty, environmental crisis, and capital flight that made the early 1990s its worth crisis period since the early Depression.
|
|
los-angeles
strife
|
Mike Davis |