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| Link | Quote | Stars | Tags | Author |
| 7651a18 | So, you're sort of like a reverse Shawn Spencer? The guy on that show from a while back who claimed to be psychic, but he's really just seeing the stuff other people could see, if they paid closer attention?" "Sort of." "Do you have a cool black sidekick who's actually smarter than you and keeps you grounded in reality?" | Rysa Walker | ||
| 3a98895 | I know they're doing their jobs. In many cases, they even go above and beyond. But a lot of them don't seem to understand that the system they're enforcing isn't always fair and what looks safe may be just a convenient illusion. | Rysa Walker | ||
| ddeaa0a | But there's plenty of truth in fiction. | Rysa Walker | ||
| 80c253e | While Money's theory of human newborns as total psychosexual blank slates may strike a contemporary reader as science fiction, such was not the case in the mid-1950s, when it was met with almost universal acceptance by clinicians and scientists | John Colapinto | ||
| 8c9a0e2 | Grumbach adds, "John Money is a major figure, and what he says gets handed down and accepted as gospel by some" | John Colapinto | ||
| 3b53b9f | That's a typical tomboy thing; I did the same thing. You're just a tomboy.' But I was saying to myself, No, it's not quite like that. I don't think that's quite it. | John Colapinto | ||
| 5fb18b5 | David remembers an incident from this period when Brenda found a pair of her mother's black kid gloves in a closet. "They felt nice and soft inside," David says. "I put them on. They reminded me of those cool Italian race car gloves that you see in the movies. I was thinking, These would give a good grip on the steering wheel. All of a sudden I realized my mother was behind me. I looked around and she was smiling at me, and she said, 'Go ah.. | John Colapinto | ||
| a4b2117 | Did you listen to that tape? It makes me sound terrible. And | Mary Higgins Clark | ||
| 33dca1c | Susan | Mary Higgins Clark | ||
| 887ad76 | The idea that the poor should have leisure has always been shocking to the rich. | Bertrand Russell | ||
| f6789e5 | See that you mind your manners, that's all. No gentleman will buy the cow when he knows he can get the milk for nothing." Lily managed not to roll her eyes until she'd turned her back on Mrs. McAllister and stepped into the hall again. Caleb had come right out and admitted that he had no intention of "buying the cow"--he only wanted to rent it. Lily" | Linda Lael Miller | ||
| adcaa54 | How's your arm?" she asked, to hide the fact that she was feeling suddenly and inexplicably shy. It was as though she hadn't given her body to this man beside a creek only a short time before, or relieved herself within his hearing. "It hurts like hell," he answered, but there was suppressed amusement in his voice. He drew her close, his uninjured arm beneath her, and gave her bottom a brazen squeeze. "Oh, for a bath and a bed, Miss Emma. I.. | Linda Lael Miller | ||
| 3cd4a74 | son's eyes. He knew Cadman's body would be doing all those unpleasant things that went along with fear. His mouth would be dry, his stomach would churn, and weakening sphincters could force him to defecate right here in the meeting hall. | Linda B. Myers | ||
| 79c8a3d | If...if I had his education, Kantaylis thought, surprised at the sudden intensity of the desire. If I could I'd study this business, read up on it, read all there is to be read about it. | Anton Myrer | ||
| 8c0b36e | You a Catholic, Harry?" O'Neill asked. "I was. Can't see it any more." "You know something?" O'Neill offered after a pause. "Religion is for punks and old folks. When you're a punk you need it because you don't know any better and it straightens you up. And when you're old you need it for comfort before you check out. But in between it's no good." | Anton Myrer | ||
| 6e6be14 | That part of his life was over; and now, lying on the dense mat of grass, he knew in one sense it always had been. But it was fun remembering ... The | Anton Myrer | ||
| 6069512 | Postwar America would bear no more similarity to prewar America than the Restoration Monarchy bore to Revolutionary France; what would emerge would be a vast, impersonal juggernaut of industrial cartels, a mountainous administrative bureaucracy and a prestigious military junta--and beneath these, far beneath, an emotional and highly subservient citizenry whose attitudes and actions would be created, aroused, manipulated, subverted by the ro.. | Anton Myrer | ||
| 8059079 | Have you ever felt that, Ts'an Tsan?--a hunger for knowledge so desperate you begrudge food and sleep, you cannot wait for another dawn to get on to more and more?" Damon nodded. "Yes. Well, I had that fever. I had to know: it was more important than life." From" | Anton Myrer | ||
| a9e1c64 | They lack the ultimate audacity." Caldwell nodded, frowning. "They possess a certain inventiveness, they plan superbly, they execute with ferocity and care. But then there comes that moment." He glanced at his son-in-law with a quick, fond smile. "That terribly lonely moment when you must make a further decision--a huge one. One that has nothing to do with everything you've anticipated. With the whole future in doubt, with hopelessly inadeq.. | Anton Myrer | ||
| dd31212 | Postwar America would bear no more similarity to prewar America than the Restoration Monarchy bore to Revolutionary France; what would emerge would be a vast, impersonal juggernaut of industrial cartels, a mountainous administrative bureaucracy and a prestigious military junta--and beneath these, far beneath, an emotional and highly subservient citizenry whose attitudes and actions would be created, aroused, manipulated, subverted by the ro.. | Anton Myrer | ||
| 8a6a4f6 | The key to success is the plan your work and work your plan. | Mary Higgins Clark | ||
| 5597b15 | Lisa Jackson's Series Order David Baldacci's Series Order Mary Higgins Clark's Series Order Dean Koontz's Series Order Michael Connelly's Series Order Diana Gabaldon's Series Order Patricia Cornwell's Series Order Fern Michael's Series Order Robert Ludlum's Series Order | Listastik | ||
| feff1cf | just as you're looking into her daughter's murder? | Mary Higgins Clark | ||
| f3b8f0b | prior planning prevents poor performance. Andrew would | Mary Higgins Clark | ||
| f047039 | their son. Sandra did not know | Mary Higgins Clark | ||
| a5f4033 | complained of cramps to | Mary Higgins Clark | ||
| 0b736fe | grasping | Mary Higgins Clark | ||
| 7869cc6 | disturb you, Mr. Barber," he told Toby, "but it's very, very important. Commissioner Farley has had a major heart attack. He may not make it. He wants to see his grandson now." Bruno was a good actor. He stared straight into the young counselor's eyes. "We've been warned to take particular care of Timmy," Toby said," | Mary Higgins Clark | ||
| 633d8d3 | even that could not help his game. | Mary Higgins Clark | ||
| a9261f9 | with perfect posture--shoulders back, gaze ahead--but her feet felt unsteady beneath her. The defendant. For three weeks, everyone in this courtroom had referred to her as "the defendant." Not Casey. Not her given name, Katherine Carter. Certainly not Mrs. Hunter Raleigh III, the name she would have taken by now if everything had been different. In this room, she'd been treated as a legal term, not as a real person, a person who had loved H.. | Mary Higgins Clark | ||
| 685af10 | de la | Mary Higgins Clark | ||
| fd6eeb5 | estropearlo | Mary Higgins Clark | ||
| 3e88b2b | beginning it was a well-planned pyramid | Mary Higgins Clark | ||
| a6327b1 | are sworn, you will be asked to state your name. I know 'Lange' is your stage name. Be sure to tell the jury your legal name is LaSalle. Let's review your testimony again. "You will be asked if you lived with your sister." "No, when I left college I got my own apartment." "Are your parents living?" "No, my mother died three years after Leila and I came to New York, and I never knew my father." "Now let's review again your testimony, startin.. | Mary Higgins Clark | ||
| 5edf49c | key in the other direction and pushed the door open. It parted a few | Mary Higgins Clark | ||
| 17a240e | I'll see if the director is available. | Mary Higgins Clark | ||
| f1746d6 | the bed, narrow apple-green draperies at | Mary Higgins Clark | ||
| 0680935 | dolled up for their picture than we did, Barrott thought. The father and | Mary Higgins Clark | ||
| 3c16e5a | she told Rick Parker | Mary Higgins Clark | ||
| 76aa597 | uncommonly slow this past month; now, finally, things would start to | Mary Higgins Clark | ||
| ef086d0 | hard to get, but she was already talking like the diva of | Mary Higgins Clark | ||
| b81ecc6 | It had always been like this, even when she was a child. And now, fifty-five years old, happily married for thirty-two years, with one child, beautiful and gifted nineteen-year-old Susan, Rosemary could not be anything but a constant worrier, a living Cassandra. Something is going to go wrong. | Mary Higgins Clark | ||
| 3c4ec0c | to tell him her concern. "Sam, I am beginning to believe that Mark is the one sending the faxes," she said. He saw the pain in her" | Mary Higgins Clark | ||
| 5a5abbf | Lacey thought with | Mary Higgins Clark |