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| Link | Quote | Stars | Tags | Author |
| c8156c9 | They'd performed more modern plays sometimes in the first few years, but what was startling, what no one would have anticipated, was that audiences seemed to prefer Shakespeare to their other theatrical offerings. | Emily St. John Mandel | ||
| 0192a79 | Ha dinheiro, pedacos de papel que podem ser trocados por qualquer coisa: casas, barcos, dentes perfeitos. | unforgettable | Emily St. John Mandel | |
| 3b6731e | She was thinking about the way she'd always taken for granted that the world had certain people in it, either central to her days or unseen and infrequently thought of. How without any one of these people the world is a subtly but unmistakably altered place, | Emily St. John Mandel | ||
| f214a17 | I have them completely in hand here, they dare not take a step without first consulting me. | Adolf Eichmann | ||
| 6133543 | Clark observa a actividade nocturna na pista, os avioes que estao parados a vinte anos, o reflexo da sua vela bruxuleante no vidro. Nao tem esperanca de ver um aviao levantar voo novamente no seu tempo de vida, mas sera possivel que nalgum lugar haja navios a partirem? Se houver cidades com iluminacao publica, se existem sinfonias e jornais, que mais pode conter este mundo que agora desperta? Talvez haja navios a icar velas neste preciso mo.. | unforgettable | Emily St. John Mandel | |
| 5c6c90b | All three caravans of the Traveling Symphony are labeled as such, THE TRAVELING SYMPHONY lettered in white on both sides, but the lead caravan carries an additional line of text: Because survival is insufficient. | Emily St. John Mandel | ||
| c3e5af9 | He remembered being here with Clark at three or four sometimes five in the morning, during what seemed at the time like adulthood and seemed in retrospect like a dream. | adulthood-growing-up-philosophy melancholy | Emily St. John Mandel | |
| f0bc677 | mornings: he liked to read a novel while he ate breakfast. It was possibly the most civilized habit Clark had ever encountered. | Emily St. John Mandel | ||
| e65df6c | A fragment for my friend-- If your soul left this earth I would follow and find you Silent, my starship suspended in night | Emily St. John Mandel | ||
| e7ba59f | tattooed on Kirsten's arm, "Survival is insufficient," is from Star Trek: Voyager, episode 122, which aired for the first time in September 1999 and was written by Ronald D. Moore." | Emily St. John Mandel | ||
| eeaf033 | She hasn't smoked in a while, managed to convince herself that smoking is disgusting, but it's a pleasure, actually, more of a pleasure than she remembered. The lit end flares in the darkness when she inhales. She likes Hollywood best at night, in the quiet, when it's all dark leaves and shadows and night-blooming flowers, the edges softened, gently lit streets curving up into the hills. | Emily St. John Mandel | ||
| 6c52e41 | The lit end flares in the darkness when she inhales. She likes Hollywood best at night, in the quiet, when it's all dark leaves and shadows and night-blooming flowers, the edges softened, gently lit streets curving up into the hills. | Emily St. John Mandel | ||
| ae15aa2 | All those people," Clark said to Imaginary Robert, but Imaginary Robert didn't reply." | Emily St. John Mandel | ||
| 076a097 | He stared at his crown and ran through a secret list of everything that was good. | Emily St. John Mandel | ||
| 3b0d2ca | Dr. Eleven: What was it like for you, at the end? Captain Lonagan: It was exactly like waking up from a dream. | Emily St. John Mandel | ||
| ffe4027 | Survival is insufficient, | Emily St. John Mandel | ||
| 64ce33c | Because survival is insufficient | Emily St. John Mandel | ||
| 43e835b | His only part in the story: to observe and remember the chain of events. Not all of us will be cast in the greatest dramas. Someone has to remember them. | Emily St. John Mandel | ||
| 183d7e6 | had been installed on top of each cab for the drivers. The cabs were stripped of everything that added excess weight but left otherwise intact, with doors that closed and windows of difficult-to-break automobile glass, | Emily St. John Mandel | ||
| 4961d48 | Not merely pretty, he decides. She is actually beautiful, but it's a subtle kind of beauty that takes some time to make itself apparent. | Emily St. John Mandel | ||
| d7d649f | So we ask them who they are, and their leader smiles at me and says, 'We are the light.' | Emily St. John Mandel | ||
| 6a3932e | And for me, now as then, it is too much. There is too much world. | Emily St. John Mandel | ||
| 01b2a75 | Montreal was less than two inches to the north. | Emily St. John Mandel | ||
| 4c8b40f | They are always waiting, the people of the Undersea. They spend all their lives waiting for their lives to begin. Miranda | Emily St. John Mandel | ||
| 411601a | THERE WAS A MOMENT ON EARTH, improbable in retrospect and actually briefer than a moment in the span of human history, more like the blink of an eye, when it was possible to make a living solely by photographing and interviewing famous people. | Emily St. John Mandel | ||
| b34d3ac | It was beginning to dawn on her that she had traveled so long, so perfectly, that it was difficult to conceive of another kind of life. It was difficult to imagine stopping, but stopping as imminent. | Emily St. John Mandel | ||
| f3a7f38 | Die Holle ist die Abwesenheit von Menschen, nach denen man sich sehnt. | Emily St. John Mandel | ||
| 6fcabbc | but mostly his work just made him dislike houses. These enormous anchors that people tied to their lives. | Emily St. John Mandel | ||
| dad3018 | Theatre in Toronto. Earlier in the evening, three little girls had played a clapping game onstage as the audience entered, childhood versions of Lear's daughters, and now they'd returned as hallucinations in the mad scene. The king stumbled and reached | Emily St. John Mandel | ||
| efb4de1 | Twenty years earlier, in a life [Kirsten] mostly couldn't remember, she had had a small nonspeaking role in a short-lived Toronto production of King Lear. Now she walked in sandals whose soles had been cut from an automobile tire, three knives in her belt. | art drama dystopia life play post-apocalyptic shakespeare | Emily St. John Mandel | |
| 10d0936 | on wheels of steel and wood. | Emily St. John Mandel | ||
| 9bd8944 | A fragment for my friend-- If your soul left this earth I would follow and find you Silent, my starship suspended in night She | Emily St. John Mandel | ||
| 730e5e4 | You look like an executive," she said to herself in the mirror, and the thought that flitted behind this was You look like a stranger. She pushed it away." | Emily St. John Mandel | ||
| e24fedf | My heart was light and joyful in my work, because the decisions were not mine. | Adolf Eichmann | ||
| fbd26d9 | Late in the day, she found a folded piece of paper in her pocket. She recognized August's handwriting. A fragment for my friend-- If your soul left this earth I would follow and find you Silent, my starship suspended in night She'd never seen his poetry before and was impossibly moved by it. "Thank you," she said when she saw him next. He nodded." | Emily St. John Mandel | ||
| 4c60dca | what else might this awakening world contain? | Emily St. John Mandel | ||
| 86f0257 | All of the information in the world is on the Internet, and the Internet is all around you, drifting through the air like pollen on a summer breeze. | Emily St. John Mandel | ||
| 35d6820 | No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. | Emily St. John Mandel | ||
| 52c75dd | They wanted to expand the territory, so that spring they followed the Maumee River down past the ruins of Toledo, and then the Auglaize River into Ohio, and they eventually walked into the town where I lived. | Emily St. John Mandel | ||
| b7b6177 | There is too much world. | Emily St. John Mandel | ||
| 8c30998 | was nice to take a quick break from the end of the world--and | Emily St. John Mandel | ||
| f8fe03d | Sartre: Hell is other people" in pen inside one of the caravans, and someone else had scratched out "other people" and substituted "flutes." People" | Emily St. John Mandel | ||
| 09a55d3 | the words clarified the problem. He found he was a man who repented almost everything, regrets crowding in around him like moths to a light. This was actually the main difference between twenty-one and fifty-one, he decided, the sheer volume of regret. | Emily St. John Mandel | ||
| bc28e0a | She wants to believe they're lying in moonlight, but she knows the light through the window is probably mostly electric. | Emily St. John Mandel |