6bcee17
|
"We were keeping our eye on 1984. When the year came and the prophecy didn't, thoughtful Americans sang softly in praise of themselves. The roots of liberal democracy had held. Wherever else the terror had happened, we, at least, had not been visited by nightmares. But we had forgotten that alongside 's dark vision, there was another - slightly older, slightly less well known, equally chilling: 's Brave New World. Contrary to common belief even among the educated, and did not prophesy the same thing. warns that we will be overcome by an externally imposed oppression. But in 's vision, no Big Brother is required to deprive people of their autonomy, maturity and history. As he saw it, people will come to love their oppression, to adore the technologies that undo their capacities to think. What feared were those who would ban books. What feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. feared those who would deprive us of information. feared those who would give us so much that we would be reduced to passivity and egoism. feared that the truth would be concealed from us. feared the truth would be drowned in a sea of irrelevance. feared we would become a captive culture. feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny " ." In 1984, added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, feared that what we fear will ruin us. feared that what we desire will ruin us. This book is about the possibility that , not , was right."
|
|
aldous-huxley
fear
huxley
brave-new-world
orwell
george-orwell
desire
|
Neil Postman |
0d2ece0
|
Many things in this period have been hard to bear, or hard to take seriously. My own profession went into a protracted swoon during the Reagan-Bush-Thatcher decade, and shows scant sign of recovering a critical faculty--or indeed any faculty whatever, unless it is one of induced enthusiasm for a plausible consensus President. (We shall see whether it counts as progress for the same parrots to learn a new word.) And my own cohort, the left, shared in the general dispiriting move towards apolitical, atonal postmodernism. Regarding something magnificent, like the long-overdue and still endangered South African revolution (a jagged fit in the supposedly smooth pattern of axiomatic progress), one could see that Ariadne's thread had a robust reddish tinge, and that potential citizens had not all deconstructed themselves into Xhosa, Zulu, Cape Coloured or 'Eurocentric'; had in other words resisted the sectarian lesson that the masters of apartheid tried to teach them. Elsewhere, though, it seemed all at once as if competitive solipsism was the signifier of the 'radical'; a stress on the salience not even of the individual, but of the trait, and from that atomization into the lump of the category. Surely one thing to be learned from the lapsed totalitarian system was the unwholesome relationship between the cult of the masses and the adoration of the supreme personality. Yet introspective voyaging seemed to coexist with dull group-think wherever one peered about among the formerly 'committed'. Traditionally then, or tediously as some will think, I saw no reason to discard the Orwellian standard in considering modern literature. While a sort of etiolation, tricked out as playfulness, had its way among the non-judgemental, much good work was still done by those who weighed words as if they meant what they said. Some authors, indeed, stood by their works as if they had composed them in solitude and out of conviction. Of these, an encouraging number spoke for the ironic against the literal mind; for the generously interpreted interest of all against the renewal of what Orwell termed the 'smelly little orthodoxies'--tribe and Faith, monotheist and polytheist, being most conspicuous among these new/old disfigurements. In the course of making a film about the decaffeinated hedonism of modern Los Angeles, I visited the house where Thomas Mann, in another time of torment, wrote . My German friends were filling the streets of Munich and Berlin to combat the recrudescence of the same old shit as I read: The path to this concept of enlightenment is not to be found in the pursuit of self-pity, or of self-love. Of course to be merely a political animal is to miss Mann's point; while, as ever, to be an apolitical animal is to leave fellow-citizens at the mercy of Ideolo'. For the sake of argument, then, one must never let a euphemism or a false consolation pass uncontested. The truth seldom lies, but when it does lie it lies somewhere in between.
|
|
enlightenment
progress
irony
lies
socialism
literature
humanism
politics
faith
religion
science
truth
apoliticism
berlin
bought-priesthood
cape-coloureds
eurocentricism
george-hw-bush
german-people
groupthink
left-wing-politics
margaret-thatcher
munich
personality-politics
polytheism
potus
radical-politics
tribalism
xhosa-people
zulu-people
ronald-reagan
sectarianism
monotheism
solipsism
argument
critical-thinking
self-pity
self-love
south-africa
totalitarianism
journalism
right-wing-politics
george-orwell
soviet-union
united-states
conviction
orthodoxy
los-angeles
film
individualism
atheism
hedonism
thomas-mann
populism
russia
communism
postmodernism
cold-war
germany
literary-criticism
euphemism
|
Christopher Hitchens |
c17b32f
|
"What we are confronted with now is the problem posed by the economic and symbolic structure of television. Those who run television do not limit our access to information but in fact widen it. Our Ministry of Culture is
|
|
aldous-huxley
television
america
politics
huxley
brave-new-world
orwell
george-orwell
society
|
Neil Postman |
06192f3
|
I want to give just a slight indication of the influence the book has had. I knew that , in his second novel, , published in 1935, had borrowed from for his nighttime scene in Trafalgar Square, where Deafie and Charlie and Snouter and Mr. Tallboys and The Kike and Mrs. Bendigo and the rest of the bums and losers keep up a barrage of song snatches, fractured prayers, curses, and crackpot reminiscences. But only on my most recent reading of did I discover, in the middle of the long and intricate mock-Shakespeare scene at the National Library, the line 'Go to! You spent most of it in Georgina Johnson's bed, clergyman's daughter.' So now I think Orwell quarried his title from there, too.
|
|
literature
influence
trafalgar-square
ulysses-novel
james-joyce
george-orwell
literary-criticism
|
Christopher Hitchens |
df37048
|
"In his book , written in 1951-2 and published in the West in 1953, the Polish poet and essayist Czeslaw Milosz paid Orwell one of the greatest compliments that one writer has ever bestowed upon another. Milosz had seen the Stalinisation of Eastern Europe from the inside, as a cultural official. He wrote, of his fellow-sufferers:
|
|
czeslaw-milosz
nineteen-eighty-four
totalitarianism
george-orwell
russia
communism
|
Christopher Hitchens |
31a88fd
|
When the first news of the Nazi camps was published in 1945, there were those who thought the facts might be exaggerated either by Allied war propaganda or by the human tendency to relish 'atrocity stories.' In his column in the London magazine , George Orwell wrote that, though this might be so, the speculation was not exactly occurring in a vacuum. If you remember what the Nazis did to the Jews before the war, he said, it isn't that difficult to imagine what they might do to them during one. In one sense, the argument over 'Holocaust denial' ends right there. The National Socialist Party seized power in 1933, proclaiming as its theoretical and organising principle the proposition that the Jews were responsible for all the world's ills, from capitalist profiteering to subversive Bolshevism. By means of oppressive legislation, they began to make all of Germany , or 'Jew-free.' Jewish businesses were first boycotted and then confiscated. Jewish places of worship were first vandalised and then closed. Wherever Nazi power could be extended--to the Rhineland, to Austria and to Sudeten Czechoslovakia--this pattern of cruelty and bigotry was repeated. (And, noticed by few, the state killing of the mentally and physically 'unfit,' whether Jewish or 'Aryan,' was tentatively inaugurated.) After the war broke out, Hitler was able to install puppet governments or occupation regimes in numerous countries, each of which was compelled to pass its own version of the anti-Semitic 'Nuremberg Laws.' Most ominous of all--and this in plain sight and on camera, and in full view of the neighbours--Jewish populations as distant as Salonika were rounded up and put on trains, to be deported to the eastern provinces of conquered Poland. None of this is, even in the remotest sense of the word, 'deniable.
|
|
holocaust
holocaust-denial
jewry
nazi-germany
nazism
george-orwell
world-war-ii
antisemitism
germany
|
Christopher Hitchens |
5a3122f
|
And I wonder, therefore, how James Atlas can have been so indulgent in his recent essay 'The Changing World of New York Intellectuals.' This rather shallow piece appeared in the magazine, and took us over the usual jumps. Gone are the days of , Delmore Schwartz, Dwight MacDonald etc etc. No longer the tempest of debate over Trotsky, , Orwell, blah, blah. Today the assimilation of the Jewish American, the rise of rents in midtown Manhattan, the erosion of Village life, yawn, yawn. The drift to the right, the rediscovery of patriotism, the gruesome maturity of the once iconoclastic Norman Podhoretz, okay, ! I have one question which Atlas in his much-ballyhooed article did not even discuss. The old gang may have had regrettable flirtations. Their political compromises, endlessly reviewed, may have exhibited naivety or self-regard. But much of that record is still educative, and the argument did take place under real pressure from anti-semitic and authoritarian enemies. Today, the alleged 'neo-conservative' movement around Jeane Kirkpatrick, and the can be found in unforced alliance with openly obscurantist, fundamentalist and above all anti-intellectual forces. In the old days, there would at least have been a debate on the proprieties of such a united front, with many fine distinctions made and brave attitudes struck. As I write, nearness to power seems the only excuse, and the subject is changed as soon it is raised. I wait for the agonised, self-justifying neo-conservative essay about necessary and contingent alliances. Do I linger in vain?
|
|
anti-intellectualism
anti-semitism
authoritarianism
commentary-magazine
debate
delmore-schwartz
dwight-macdonald
james-atlas
jeane-kirkpatrick
leon-trotsky
neoconservativism
new-criterion
new-york-times
norman-podhoretz
obscurantism
partisan-review
ts-eliot
right-wing-politics
george-orwell
manhattan
intellectuals
fundamentalism
patriotism
power
jews
communism
cold-war
new-york
|
Christopher Hitchens |
d3240bd
|
"In
|
|
george-orwell
spain
spanish-civil-war
stalinism
soviet-union
|
Christopher Hitchens |
d305861
|
Perhaps vaguely aware that his movie so completely lacks gravitas, Moore concludes with a sonorous reading of some words from George Orwell. The words are taken from and consist of a third-person analysis of a hypothetical, endless and contrived war between three superpowers. The clear intention, as clumsily excerpted like this (...), is to suggest that there is no moral distinction between the United States, the Taliban and the Ba'ath Party, and that the war against is about nothing. If Moore had studied a bit more, or at all, he could have read Orwell really saying, and in his own voice, the following: And that's just from Orwell's in May 1945. A short word of advice: In general, it's highly unwise to quote Orwell if you are already way out of your depth on the question of moral equivalence. It's also incautious to remind people of Orwell if you are engaged in a sophomoric celluloid rewriting of recent history.
|
|
farenheit-9-11
michael-moore
pacificism
moral-equivalence
george-orwell
film
|
Christopher Hitchens |
65c2ace
|
"In the same essay, Said (who is reviewing Peter Stansky and William Abrams, co-authors obsessed with the Blair/Orwell distinction) congratulates them on their forceful use of tautology: This is rather extraordinary. Orwell did indeed meet Garrett in Liverpool in 1936, and was highly impressed to find that he knew him already through his pseudonymous writing--under the name Matt Lowe--for John Middleton Murry's Adelphi. As he told his diary:
|
|
poverty
writing
politics
tautology
edward-said
george-orwell
economics
|
Christopher Hitchens |