Children are meant to grow up, and not to become Peter Pans. Not to lose innocence and wonder, but to proceed on the appointed journey: that journey upon which it is certainly not better to travel hopefully than to arrive, though we must travel hopefully if we are to arrive.
"Most of us hoped to be able to trust. When we were little we did not yet know the human invention of the lie - not only that of lying with words but that of lying with one's voice, one's gesture, one's eyes, one's facial expression. How should the child be prepared for this specifically human ingenuity: the lie? Most of us are awakened, some more and some less brutally, to the fact that people often do not mean what they say or say the opposite of what they mean. And not only "people," but the very people we trusted most - our parents, teachers, leaders."
"Dr. Keller begins pacing. "I don't think we've been hearing Faith just right. Her guard...the words..they sound alike." What do you mean?" Your daughter," Dr. Keller says flatly. "I think she's seeing God."
"It's hopeless," he went on. "We no longer have the learning of the ancients, the age of giants is past!" "We are dwarfs," William admitted, "but dwarfs who stand on the shoulders of those giants, and small though we are, we sometimes manage to see farther on the horizon than they."
I was deluded, and I knew it. Worse: my love for Pippa was muddied-up below the waterline with my mother, with my mother's death, with losing my mother and not being able to get her back. All that blind, infantile hunger to save and be saved, to repeat the past and make it different, had somehow attached itself, ravenously, to her. There was an instability in it, a sickness. I was seeing things that weren't there. I was only one step away from some trailer park loner stalking a girl he'd spotted in the mall. For the truth of it was: Pippa and I saw each other maybe twice a year; we e-mailed and texted, though with no great regularity; when she was in town we loaned each other books and went to the movies; we were friends; nothing more. My hopes for a relationship with her were wholly unreal, whereas my ongoing misery, and frustration, were an all-too-horrible reality. Was groundless, hopeless, unrequited obsession any way to waste the rest of my life?
I don't say Valancy deliberately murdered these lovers as she outgrew them. One simply faded away as another came. Things are very convenient in this respect in Blue Castles.
All love stories have much in common. I wen through the same thing at one point in my life. But that's not what I remember. What I remember is that love returned in the form of another man, new hopes, and new dreams.
So now you know that, as dark as the depths of the sea may be, as dark as the night gets without a moon, it is not really true darkness. It's just waiting for light to return. There are places that are truly dark in this world, Ven, but this place here, this open stretch of sea where you are floating, is not one of them. It's not really dark here - it's just night. If you hang on and stay awake, in a short while the edges of the sky will start to turn gray, then pink, and the sun will rise, and there will be blue above and all around you again.
His gut was stitched up good and tight, but that didn't prevent it from flopping. He wiped his damp palms on the legs of his jeans and stood up shakily, leaning heavily on his cane. He called himself a masochist for putting himself through this torture day after day. He braced himself for the disappointment of having to go home alone. He braced himself for happiness like he'd never known in his entire life. He watched the door they would come through.
He who has felt the deepest grief is best able to experience supreme happiness. We must have felt what it is to die, Morrel, that we may appreciate the enjoyments of life. Live, then, and be happy, beloved children of my heart, and never forget, that until the day when God will deign to reveal the future to man, all human wisdom is contained in these two words, - 'Wait and hope.' - Your friend, Edmond Dantes, Count of Monte Cristo. The eyes of both were fixed on the spot indicated by the sailor, and on the blue-line separating the sky from the Mediterranean Sea, they perceived a large white sail.
This was the least she owed those murdered in Endovier and Calaculla--the least she could do, after so long. A monster to destroy monsters. The flames on her left hand burned brighter as Celaena stepped beyond the archway and into the beckoning abyss.
Many years later when I began training as a plastic surgeon, I understood something that I had not that day in the kitchen arguing for Thalia to leave Tinos for the boarding school. I learned that the world didn't see the inside of you, that it didn't care a whit about the hopes and dreams, and sorrows, that lay masked by skin and bone. It was as simple, as absurd, and as cruel as that. My patients knew this. They saw that much of what they were, would be, or could be hinged on the symmetry of their bone structure, the space between their eyes, their chin length, the tip projection of their nose, whether they had an ideal nasofrontal angle or not. Beauty is an enormous unmerited gift given randomly, stupidly.
It is the most ambitious and driven among us who are the most sorely in need of having our reckless hopes dampened through immersive dousings in the darkness which religions have explored. This is a particular priority for secular Americans, perhaps the most anxious and disappointed people on earth, for their nation infuses them with the most extreme hopes about what they may be able to achieve in their working lives and relationships.
You don't know how much I needed to hear from you. I wanted to write you many a time but I dug how much I must have hurt you and so I didn't write. But now I feel like a man who's been trying to climb up out of some deep, really deep and funky hole and just saw the sun up there, outside. I got to get outside.
Then every man would be as a god, you see. The result of this, of course, would be that there would no longer be any gods, only men. We would give them knowledge of the sciences and the arts, which we possess, and in so doing we would destroy their simple faith and remove all basis for their hoping that things will be better--for the best way to destroy faith or hope is to let it be realized.
You may be told that the legal decisions lead the changes, that judges and lawmakers lead the culture in those theaters called courtrooms, but they only ratify change. They are almost never where change begins, only where it ends up, for most changes travel from the edges to the center.
...William Stegner...coined the term 'the geography of hope,' countering the argument that wilderness preservation served elites with the assertion that wilderness could be a place in which everyone could locate their hopefulness even if few actually entered it.
"Always know there are friends somewhere rooting for you. There are people you don't know, always praying for you and lifting you before God. - Jenee, from "To the Survivors"."
I must reluctantly observe that two causes, the abbreviation of time, and the failure of hope, will always tinge with a browner shade the evening of life.
Then hope unlooked-for came so suddenly to Eomer's heart, and with it the bite of care and fear renewed, that he said no more, but turned and went swiftly from the hall.
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They laughed at him, but they didn't know, they didn't know about all the nice things he had. No one knew. No one. Only someday he'd see somebody different, somebody to give his things to, somebody who would give him all their things. Yes. He'd like that. He'd know her when he saw her. He'd know just what to say.
Staring at a world too horrible to comprehend, believing -- by dint of ignorance and innocence -- that beneath this unbearable contract of guilt and blame there is always an older contract that may bind and release in a more salutary way.
For I'm afraid of loneliness; shiveringly, terribly afraid. I don't mean the ordinary physical loneliness, for here I am, deliberately travelled away from London to get to it, to its spaciousness and healing. I mean that awful loneliness of spirit that is the ultimate tragedy of life. When you've got to that, really reached it, without hope, without escape, you die. You just can't bear it, and you die.
Think of the great poetry, the music and dance and ritual that spring forth from our aspiring to a life beyond death. Maybe these things are justification enough for our hopes and dreams, although I wouldn't say that to a dying man.
Because these fools always look up for power. People above you, they never want to share power with you. Why you look to them? They give you nothing. People below you, you give them hope, you give them respect, they give you power, cause they don't think they have any, so they don't mind giving it up.
There's a light shining in him, moving him forward: the light of freedom. That's what draws all of us to follow, to take risks, to keep on fighting when we see our comrades fall beside us. But there's no light without shadow.
"From Les Miserables: All at once, in the midst of this profound calm, a fresh sound arose; a sound as celestial, divine, ineffable, ravishing, as the other had been horrible. It was a hymn which issued from the gloom, a dazzling burst of prayer and harmony in the obscure and alarming silence of the night; women's voices, but voices composed at one and the same time of the pure accents of virgins and the innocent accent of children, -- voices which are not of the earth, and which resemble those that the newborn infant still hears, and which the dying man hears already. This song proceeded from the gloomy edifice which towered above the garden. At the moment when the hubbub of demons retreated, one would have said that a choir of angels was approaching through the gloom. Cosette and Jean Valjean fell on their knees. They knew not what it was, they knew not where they were; but both of them, the man and the child, the penitent and the innocent, felt that they must kneel. These voices had this strange characteristic, that they did not prevent the building from seeming to be deserted. It was a supernatural chant in an uninhabited house.
Hope that had sparked in my chest now lit a fire, and I fanned it, wanting it to burn hot and bright, because hope... hope was not the enemy. It was a friend, a savior. Hope was more than a new beginning. Hope was tomorrow, and hope was the symbol that I would get better, that I would undo the bad choices that I'd made, and that I would never make them again. Hope was more than a chance of redemption. It was the promise of one day finding absolution, of forgiving myself. But it was more than that. Hope was also today, and today was so very important. There would be no more rushing through seconds and minutes. I promised myself that. I was going to live, and it was going to be hard at times. There would be setbacks and days when everything would feel dull and tarnished somehow, but I had and I had the to face what was causing me to suffer. I had my . I had Tanner. And most importantly, I had .
The day, like the previous days, dragged sluggishly by in a kind of insipid idleness, devoid even of that dreamy expectancy which can make idleness so enchanting.
There's a kind of activism that's more about bolstering identity than achieving results, one that sometimes seems to make the left the true heirs of the Puritans. Puritanical in that the point becomes the demonstration of one's own virtue rather than the realization of results. And puritanical because the somber pleasure of condemning things is the most enduring part of that legacy, along with the sense of personal superiority that comes from pleasure denied. The bleakness of the world is required as contrasting backdrop to the drama of their rising above.
He never even thought of tenderness and emotion; his considerations about Durham remained cold. Durham didn't dislike him, he was sure. That was all he wanted. One thing at a time. He didn't so much as have hopes, for hope distracts, and he had a great deal to see to.
"What did I tell you? Something's happening!' cried Sam. '"The war's going well," said Shagrat; but Gorbag he wasn't so sure. And he was right there too. Things are looking up, Mr. Frodo. haven't you got some hope now?' 'Well, no, not much, Sam,' Frodo sighed. 'That's away beyond the mountains. We're going east not west. And I'm so tired. And the Ring is so heavy, Sam. And I begin to see it in my mind all the time, like a great wheel of fire."
Though anger seems a pessimistic response to a situation, it is at root a symptom of hope: the hope that the world can be better than it is. The man who shouts every time he loses his house keys is betraying a beautiful but rash faith in a universe in which keys never go astray. The woman who grows furious every time a politician breaks an election promise reveals a precariously utopian belief that elections do not involve deceit. The news shouldn't eliminate angry responses; but it should help us to be angry for the right reasons, to the right degree, for the right length of time - and as part of a constructive project. And whenever this isn't possible, then the news should help us with mourning the twisted nature of man and reconciling us to the difficulty of being able to imagine perfection while still not managing to secure it - for a range of stupid but nevertheless unbudgeable reasons.
I think if Eternity held torment, its form would not be fiery rack, nor its nature, despair. I think that on a certain day amongst those days which never dawned, and will not set, an angel entered Hades -- stood, shone, smiled, delivered a prophecy of conditional pardon, kindled a doubtful hope of bliss to come, not now, but at a day and hour unlooked for, revealed in his own glory and grandeur the height and compass of his promise: spoke thus -- then towering, became a star, and vanished into his own Heaven. His legacy was suspense -- a worse boon than despair.
Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love. It's the smell of Gods, demons, empires, and civilizations in resurrection and decay. Its the blue skin-smell of the sea, no matter where you are in the island city, and the blood metal smell of machines. It smells of the stir and sleep and the waste of sixty million animals, more than half of them humans and rats. It smells of heartbreak, and the struggle to live, and of the crucial failures and love that produces courage. It smells of ten thousand restaurants, five thousand temples, shrines, churches and mosques, and of hunderd bazaar devoted exclusively to perfume, spices, incense, and freshly cut flowers. That smell, above all things - is that what welcomes me and tells me that I have come home. Then there were people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konark; warrior caste, Brahmin, and untouchable; Hindi, Muslim, Christian, Buddhist, Jain, Parsee, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incoparable beauty, India.
Shall I kill her now? Shall I not even investigate, but kill her and burn her? His throat moved. Such thoughts were a hideous testimony to the world he had accepted; a world in which murder was easier than hope.
The quality of light by which we scrutinize our lives has direct bearing upon the product which we live, and upon the changes which we hope to bring about through those lives. It is within this light that we form those ideas by which we pursue our magic and make it realized. This is poetry as illumination, for it is through poetry that we give name to those ideas which are -- until the poem -- nameless and formless, about to be birthed, but already felt.
Everything has a past, a voice, existed at some point, even things as small and seemingly meaningless as a house in a huge suburb. It's a house like every other house... but at some point a family lived there, made it theirs, made it important. When people forget that history, that somebody at some point thought the house mattered, it just becomes an empty pile of nailed wood and brick and concrete that gets torn down for some strip mall or chain store to take its place... and that's what happens more and more now, everything is disposable, always replaced with no thought at all. That's where things get lost, memories get lost, humanity slips through the cracks, because when we all fail to pay attention to the things that make up our lives, we're no longer human at all, not really.
There, about a dozen times during the day, the wind drives over the sky the swollen clouds, which water the earth copiously, after which the sun shines brightly, as if freshly bathed, and floods with a golden luster the rocks, the river, the trees, and the entire jungle.
"We live in hope that the good we do here on earth will be rewarded in heaven. We also hope to win the war. We hope that right and goodness will triumph, and that when the war is won, we shall have a better world. And we work toward that end. We buy war bonds and put out incendiaries and knit stockings---" And pumpkin-colored scarves, Polly thought. "---and volunteer to take in evacuated children and work in hospitals and drive ambulances" - here Alf grinned and nudged Eileen sharply in the ribs - "and man anti-aircraft guns. We join the Home Guard and the ATS and the Civil Defence, but we cannot know whether the scrap metal we collect, the letter we write to a solider, the vegetables we grow, will turn out in the end to have helped win the war or not. We act in faith. "But the vital thing is that we act. We do not rely on hope alone, thought hope is our bulwark, our light through dark days and darker nights. We also work, and fight, and endure, and it does not matter whether the part we play is large or small. The reason that God marks the fall of the sparrow is that he knows that it is as important to the world as the bulldog or the wolf. We all, all must do 'our bit'. For it is through our deeds that the war will be won, through our kindness and devotion and courage that we make that better world for which we long."
The point I'm making is that you can choose to look at the tough moments as failures or you can choose to look at them as a bad few minutes in a good day. It's okay to feel sorry for yourself for a few seconds, but then you need to pick yourself up and brush yourself off. If you do that, you never fail.
It is entirely conceivable that life's splendour forever lies in wait about each one of us in all its fullness, but veiled from our view, deep down, invisible, far off. It is there, though, not hostile, not reluctant, not deaf. If you summon it by the right word, by its right name, it will come. This is the essence of magic, which does not create but summons Franz Kafka, 18 October 1921 Es ist sehr gut denkbar, dass die Herrlichkeit des Lebes um jeden und immer in ihrer ganzen Fulle bereitliegt, aber verhangt, in der Tiefe, unsichtbar, sehr weit. Aber sie liegt dort, nicht feindselig, nicht widerwillig, nicht taub. Ruft man sie mit dem richtigen Wort, beim richtigen Namen, dann kommt sie. Das ist das Wesen der Zauberei, die nicht schafft, sondern ruft. Kafkas Tagebucher,18 Oktober 1921
Chris, soap people are like us-they seldom go outdoors. And when they do, we only hear about it, never see it. They loll about in living rooms, bedrooms, sit in the kitchens and sip coffee or stand up and drink martinis-but never, never go outside before our eyes. And whenever something good happens, whenever they think they're finally going to be happy, some catastrophe comes along to dash their hopes.
But she knew, though very vaguely, that she was crying, because hope hurts terribly when it breaks through the resignation in which you have lived for days.
Trap. Horrible trap. At one's birth it is sprung. Some last day must arrive. When you will need to get out of this body. Bad enough. Then we bring a baby here. The terms of the trap are compounded. That baby also must depart. All pleasures should be tainted by that knowledge. But hopeful dear us, we forget. Lord, what is this?
Her true hope was that something would happen in the course of her time abroad that would mean she need never take the place. What that 'something' was she had no idea.
So She had to satisfy herself with the idea of love-loving the loving of things whose existence she didn't care at all about. Love itself became the object of her love. She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for.
"There Peter was, looking straight into the very eyes of God, walking the Sea of Galilee and then all of the sudden up to his neck in water. Some would argue he lacked the true believing, I say he had enough faith to go it a ways, and when he couldn't go farther Christ fetched him up. What am I saying? I'm saying that the walk to God ain't easy for the best of us. Now some would say, Preacher, if Peter had misdoubts there in the very glory of the Lord, what of us left here that ain't seen the dead raised nor the leper folk healed. All we seen is hard trial and sorrows. I'd not deny it.
The term 'politics of prefiguration' has long been used to describe the idea that if you embody what you aspire to, you have already succeeded. That is to say, if your activism is already democratic, peaceful, creative, then in one small corner of the world these things have triumphed. Activism, in this model, is not only a toolbox to change things but a home in which to take up residence and live according to your beliefs, even if it's a temporary and local place...
"He can't have gone, he said "Christ know he can't have gone. He's making a turn. Maybe he has been hooked before and her remembers something of it." The he felt the gentle touch on the line and he was happy."
But if we can't summon the empathy to imagine what our dead would have asked of us, or the selflessness to give it, then we must accept the desperately sad verdict that each generation's hopes will die with it, and no cumulative progress is possible for the human will.
Putting your time in at the office; dutifully spawning your two point five; smiling politely at your retirement party; then chewing on your bedsheet and choking on your canned peaches at the nursing home. It was better never to have been born-never to have wanted anything, never to have hoped for anything.
I know nothing about war. But let me tell you what I believe. I think running from responsibility breeds self-loathing and despair. I think people can, and do, rise to the occasion, and even a single person can make an incredible difference. What they need are leaders who believe in them, a belief that gives birth to hope. With hope, people can do remarkable things, amazing things.
With slight misconceptions of reality we fabricate our hopes and beliefs, and we live off crusts that we call cakes, like poor children who make-believe they're happy.
see chains on another person and be glad they are not your own--such was the good fortune permitted colored people, defined by how much worse it could be at any moment.
"Oh, I'm Chrissy Mackenzie, I'm from Vancouver but I came here to study environmental journalism," the girl exclaimed with way too much enthusiasm. "You got any advice?" "Search me," Mandy muttered, spooning another ice cube from the empty glass on the table in front of her. "I like pollution, I write in favor of it, and environmental journalism most often implies that it's in favor of all that "go green" hippie crap." "Oh, well...." Chrissy seemed taken aback, offended, and Mandy sighed a fourth time. "Damn it, I'm really sorry," she apologized, smiling dismally at the aspiring writer. "It's just been a really lousy day for me and I wasn't really thinking. My advice? Find your own cause to represent, not one thrown out into society by a ton of environmentalist dopes. Find something new, something you think could be improved, and work from there." Chrissy smiled with a look of total ecstasy as if the words of some nobody woman were important. Mandy momentarily noticed the groups of laughing, drunk, giggling people, all acting childish... and for a moment she wished she could be them."
"When I reach the end of one row, I continue straight on away from the barn and the farm and the road. I walk until I come to a pile of hay bales and plop myself down. The sun is bright and the air is sharp. In the distance I hear the lowing of cows. It's so peaceful here. "Merry Christmas, " I whisper to myself. "Merry Christmas, Nate."
She took the posters downtown that afternoon. She filled a rolling suitcase with them ... she took a stapler. And a box of staples. And hope. I think of those things. The paper, the stapler, the staples, the tape, the hope. It makes me sick. Physical things. Forty years of loving someone becomes staples and hop.
People never like pollution, it has become very wrong to like pollution at all. But just like there are good and bad things about people, there are good and bad things about pollution. If people were pollution we would get rid of anyone who was different, anyone who was considered an inconvenience... but we'd be getting rid of a life, a lot of lives... because we didn't like them. If pollution was a person would we still be trying to get rid of it? Would we have environmentalists still complaining and protesting and trying to get rid of all pollution?
Stories migrate secretly. The assumption that whatever we now believe is just common sense, or what we always knew, is a way to save face. It's also a way to forget the power of a story and of a storyteller, the power in the margins, and the potential for change.
Hope is not a door, but a sense that there might be a door at some point, some way out of the problems of the present moment even before that way is found or followed.
I had started out in life trusting everyone and now I trusted no one. So I had a few acquaintances and no close friends. It was perhaps in reaction against the inevitable loneliness of my life that I'd find myself doing bold, risky, even outrageous things without hesitation or surprise. I was usually disappointed in these adventures and they didn't have much effect on me, good or bad, but I never quite lost the hope of something better or different.
Isn't it a mercy that we never get cured of being expectant? It makes life so bearable. However regularly we are disappointed and nothing whatever happens, after the first blow has fallen, after the first catch of the breath, the first gulp of misery, we turn our eyes with all their old eagerness to a point a little further along the road.
"That's what it is to be a hero," Riordan says. "It's fighting on even when you're hopelessly outnumbered. It's seeing your friends dying all around you, witnessing the most shocking cruelty you could imagine, and still finding the courage to go on. It's doing the very best you can."
To his surprise, Jean kissed him. So often in the past, teasing, she had said she would, one day. Now she did, and it was a quick and fragrant touch to his lips that gave him courage and, even before he started out made him yearn to come back home.
The revolution that counts is the one that takes place in the imagination; many kinds of change issue forth thereafter, some gradual and subtle, some dramatic and conflict-ridden--which is to say that revolution doesn't necessarily look like revolution.
Another part of the Puritan legacy is the belief that no one should have joy or abundance until everyone does, a belief that austere at one end, in the deprivation it endorses, and fantastical in the other, since it awaits a universal utopia. Joy sneaks in anyway, abundance cascades forth uninvited...Joy doesn't betray but sustains activism. And when you face a politics that aspires to make you fearful, alienated, and isolated, joy is a fine initial act of insurrection.
As a species we're doomed by hope, then? You could call it hope. That, or desperation. But we're doomed without hope, as well, said Jimmy. Only as individuals, said Crake cheerfully.
How did we get here? My own suspicion is that we are looking at the final effects of the militarization of American capitalism itself. In fact, it could well be said that the last thirty years have seen the construction of a vast bureaucratic apparatus for the creation and maintenance of hopelessness, a giant machine designed, first and foremost, to destroy any sense of possible alternative futures. At its root is a veritable obsession on the part of the rulers of the world - in response to the upheavals of the 1960s and 1970s - with ensuring that social movements cannot be seen to grow, flourish, or propose alternatives; that those who challenge existing power arrangements can never, under any circumstances, be perceived to win.
When has been disappointed for so long, hope becomes the enemy. One cannot be dashed to the earth unless one is lifted first, and I learned to avoid hope.
It seemed that out of every tear of a martyr new confessors were born, and that every groan on the arena found an echo in thousands of breasts. Caesar was swimming in blood, Rome and the whole pagan world was mad. But those who had had enough of transgression and madness, those who were trampled upon, those whose lives were misery and oppression, all the weighed down, all the sad, all the unfortunate, came to hear the wonderful tidings of God, who out of love for men had given Himself to be crucified and redeem their sins. When they found a God whom they could love, they had found that which the society of the time could not give any one, -- happiness and love.
"Who are you?" "Abby," she says. "And you are?" "Ethan," I answer. "He's my twin." Her eyes dart between us. "You don't look anything alike." "I'm a boy. She's a girl. I sure as hell hope we don't," says Ethan."
Suddenly feeling overwhelmed, Talon said, 'It doesn't matter. They are all dead.' He felt moisture gathering in his eyes and blinked. 'It's been a while since I've felt that.' Caleb nodded. 'It never goes away, completely. But you'll discover other things in life.
In the chaos of sentiments and passions which defend a barricade, there is something of everything; there is bravery, youth, honor, enthusiasm, the ideal, conviction, the eager fury of the gamester, and above all, intervals of hope.
In moments like these, offering up his heart at the hour that night flowers offer up their perfume, lit up like a lamp in the middle of the starry night, full of ecstasy in the middle of the universal radiance of creation, he could not perhaps have said himself what was happening in his spirit; he felt something soar up out of him and something fly down into him. Mysterious exchanges between the bottomless well of the soul and the bottomless well of the universe!
I am an actor, living generally on air, but I have always elastic hopes for the future; they may be stretched indefinitely, such hopes, without bursting
I'd be willing to bet that the notion of the end of time is more common today in the secular world than in the Christian. The Christian world makes it the object of meditation, but acts as if it may be projected into a dimension not measured by calendars. The secular world pretends to ignore the end of time, but is fundamentally obsessed by it. This is not a paradox, but a repetition of what transpired in the first thousand years of history. ... I will remind readers that the idea of the end of time comes out of one of the most ambiguous passages of John's text, chapter 20... This approach, which isn't only Augustine's but also the Church Fathers' as a whole, casts History as a journey forward--a notion alien to the pagan world. Even Hegel and Marx are indebted to this fundamental idea, which Pierre Teilhard de Chardin pursued. Christianity invented History, and it is in fact a modern incarnation of the Antichrist that denounces History as a disease. It's possible that secular historicism has understood history as infinitely perfectible--so that tomorrow we improve upon today, always and without reservation... But the entire secular world is not of the ideological view that through history we understand how to look at the regression and folly of history itself. There is, nonetheless, an originally Christian view of history whenever the signpost of Hope on this road is followed. The simple knowledge of how to judge history and its horrors is fundamentally Christian, whether the speaker is Emmanuel Mounier on tragic optimism or Gramsci on pessimism of reason and optimism of will.
"Oh, Youth may listen patiently, While sad Experience tells her tale, But Doubt sits smiling in his eye, For ardent Hope will still prevail! He hears how feeble Pleasure dies, By guilt destroyed, and pain and woe; He turns to Hope--and she replies, "Believe it not-it is not so!"
But now, in the final hours, even hope had vanished. Yet he could smile. At a point without hope he had found contentment. He knew he had tried and there was nothing to be sorry for. And this was complete victory, because it was a victory over himself.
"... What of this "despair?" I know it all too well... because up until now... I've climbed up, kicked it in it's teeth, and surpassed it... over and over again just to make it to this very moment!"
Don't you understand? You are Elder. When you take my role as Eldest, you must dedicate your whole life to this one idea: you are the caretaker of every single person on the ship. They are your responsibility. You can never show weakness in front of them: you are their strength. You can never let them see you in despair: you are their hope. You must always be everything to everyone on board.
my khwstm bh mrdm bymwzm kh bh nbD Tby`t gwsh fr bdhnd, dr klyt w phnh zndgy f`lnh shrkt jwynd w, tHt fshr nshy z zndgy Hqyrshn, z yd nbrnd kh m khdwndn sTyry nystym w m khwdmn r nyfrydh ym, blkh kwdkn zmyn hstym w prh y z jhn hsty.
When you live by God's Word, your life works. When you live without God's Word, life doesn't work. God's Word builds you up, feeds your soul, and gives you strength, direction, guidance, hope, encouragement, and faith. Remember that He gave you His Word so that you would know Him and the way He wants You to live.
For most people there is a fascinating inconsistency in the position of St. Francis. He expressed in loftier and bolder language than any earthly thinker the conception that laughter is as divine as tears. He called his monks the mountebanks of God. He never forgot to take pleasure in a bird as it flashed past him, or a drop of water as it fell from his finger; he was perhaps the happiest of the sons of men. Yet this man undoubtedly founded his whole polity on the negation of what we think of the most imperious necessities; in his three vows of poverty, chastity, and obedience he denied to himself, and those he loved most, property, love, and liberty. Why was it that the most large-hearted and poetic spirits in that age found their most congenial atmosphere in these awful renunciations? Why did he who loved where all men were blind, seek to blind himself where all men loved? Why was he a monk and not a troubadour? We have a suspicion that if these questions were answered we should suddenly find that much of the enigma of this sullen time of ours was answered also.
People like mystery. They want nothing explained, because when things are explained then there is no hope left. I have seen folk dying and known there is nothing to be done, and I am asked to go because the priest will soon arrive with his dish covered by a cloth, and everyone prays for a miracle. It never happens. And the person dies and I get blamed, not God or the priest, but I!
"There was a time in Africa the people could fly. Mauma told me this one night when I was ten years old. She said, "Handful, your granny-mauma saw it for herself. She say they flew over trees and clouds. She say they flew like blackbirds. When we came here, we left that magic behind." She looked at my face, how it flowed with sorrow and doubt, and she said, "You don't believe me? Where you think these shoulder blades of yours come from, girl?" We weren't some special people who had lost our magic. We were slave people, and we weren't going anywhere. It was later I saw what she meant. We could fly all right, but it wasn't any magic to it."
The morning weighs on my shoulders with the dreadful weight of hope and I take the blue envelope which Jacques has sent me and tear it slowly into many pieces, watching them dance in the wind, watching the wind carry them away. Yet, as I turn and begin walking toward the waiting people, the wind blows some of them back on me.
But as he listened to the moans and cries of those around him, he understood that hope was not a concept of faith meant to bring man closer to God but one of denial and delusion meant to keep him from accepting that God did not exist.
As she rode, she tried to tell herself something. / You don't deserve to be this happy, Liesl. You really don't. / Can a person steal happiness? Or is it just another internal, infernal human trick?
The thinnest shaft of light entered the empty chambers of my heart, just for a moment. Then it disappeared, extinguished by the weight of all that had gone before.
What could Maria call the time that opened ahead of her? The certainty of her hope? This rejuvenated air she was breathing? This incandescence, this bursting of a love at last without object?
Sitting in seat 14A, in the sun, I float on a full-moon, tidal joy unlike anything I've ever experienced. I am getting incredibly high on a single, astounding fact: that it's always sunny above the clouds. Always. That every day on Earth- every day I have ever had- was secretly sunny after all....I feel like I've just flown 600 miles per hour head-on into the most beautiful metaphor of my life: If you fly high enough, if you get above the clouds, it's never-ending summer.
There are no shadows in the Underdark. There is no room for imagination in the Underdark. It is a place for alertness, but not aliveness, a place with no room for hopes and dreams.
"...Look, I'm real sorry about Cheryl, I know you loved her a lot," Mandy apologized gloomily. "It's wrong that people have to keep killing off Pollution." "It's alright, I think she wants to be remediated," Alecto told her calmly, though his grief-stricken and depressed expression said more to Mandy than his words did. "You don't have to forget Cheryl, no matter what Mearth said to you," Mandy pointed out. "People shouldn't be forced to forget what they love, or to just get over the death of what they love. Cheryl was your friend and nobody can make you forget her if you don't want to."
Only by having a sense of history's trajectory (even if one does not believe in Parousia) can one love earthly reality and believe--with charity--that there is still room for Hope.
Is there a notion of hope (and of our responsibility to the future) that could be shared by believers and nonbelievers? What can it be based on now? Does an idea of the end, one that does not imply disinterest in the future but rather a constant examination of the errors of the past, have a critical function? If not, it would be perfectly all right to accept the approach of the end, even without thinking about it, sitting in front of our TV screens (in the shelter of our electronic fortifications), waiting for someone to while meantime things go however they go. And to hell with what will come.